Violin, sordine, violoncello, violino piccola
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Violin, sordine, violoncello, violino piccola
Violin, sordine, violoncello, violino piccola and viola de gamba.. Violin and bow (1, 2), sordine or mute (3), violoncello (4), violino piccola or kit (5), Viola de Gamba of the 16th century (6). Copperplate engraving by John Lee after a drawing by T. Webster from Abraham Rees Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820
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Media ID 14201966
© Florilegius / Mary Evans
16thcentury Abrahamrees Cyclopedia Musicalinstrument Mute Sciencesandliterature Universaldictionaryofarts Violin Violoncello
EDITORS COMMENTS
1. Introducing an enchanting tableau of early musical instruments, this copperplate engraving showcases a collection of strings instruments from the 19th century, as depicted in Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature. 2. At the heart of the composition lies a violin (1), its elegant curves and delicate strings ready to produce melodic tones when paired with the bow (1, 2). The violin, an essential component of Western classical music, is accompanied by a sordine or mute (3), which, when attached to the bridge, alters the instrument's sound by dampening its vibrations. 3. A violoncello (4) is also featured, its larger size and deeper, richer tones contrasting the violin's. The violoncello, a member of the violin family, is often used to provide the foundation for melodies and harmonies in orchestral music. 4. In the foreground, a violino piccola, or kit (5), is presented. This smaller, more portable version of the violin was popular during the Baroque era and was used for traveling musicians and amateur players. 5. Completing the ensemble is a 16th-century Viola da Gamba (6), an early precursor to the violin family. Its distinctive body shape, with a pear-shaped waist and a neck that joins the body at an angle, sets it apart from modern violins. The Viola da Gamba was widely used during the Renaissance and Baroque periods and was often played without a bow, using a rosin-coated fingers to pluck the strings. 6. This exquisite image, created by John Lee after a drawing by T. Webster, offers a fascinating glimpse into the history of musical instruments and their evolution over time. The meticulous detail and precision of the copperplate engraving process further enhance the beauty and allure of this tableau.
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