Syrian hibiscus, Hibiscus syriacus
Wall Art and Photo Gifts from Mary Evans Picture Library
Syrian hibiscus, Hibiscus syriacus
Syrian hibiscus, Hibiscus syriacus.. Handcolored copperplate engraving from a botanical illustration from William Curtiss Botanical Magazine, Lambeth, London, 1789
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14207334
© Florilegius / Mary Evans
Botanicalmagazine Korea Williamcurtis
EDITORS COMMENTS
This exquisite handcolored copperplate engraving showcases the captivating beauty of the Syrian hibiscus, scientifically known as Hibiscus syriacus. The image is taken from a botanical illustration published in William Curtis's Botanical Magazine, Volume II, in 1789, in Lambeth, London. The Syrian hibiscus, also known as the rose of Sharon or Althea frutex, is a deciduous shrub native to the Mediterranean region, including Syria, and is now widely cultivated in various parts of the world, including Korea. The Syrian hibiscus is renowned for its large, vibrant flowers, which can range in color from white to pink to deep magenta. The engraving accurately depicts the intricate details of the flower, from its five petals, each with a distinctive notch at the tip, to the prominent yellow stamen and style. The leaves, which are simple and ovate, are also shown in the illustration, adding to the overall botanical accuracy of the print. This historical botanical illustration holds significant value in the annals of botany and horticulture. William Curtis was a prominent figure in the field of botany, and his Botanical Magazine was one of the most influential botanical publications of the time. The publication of this engraving marked an important contribution to the scientific understanding of the Syrian hibiscus, and its beauty continues to captivate botanists, horticulturists, and nature enthusiasts to this day. The intricate handcoloring of the print adds an additional layer of visual interest, bringing the Syrian hibiscus to life in a way that black and white illustrations cannot. The use of copperplate engraving, a technique that was popular during the 18th and 19th centuries, adds to the historical significance of the print. Overall, this botanical illustration is a testament to the beauty and importance of the natural world, and serves as a reminder of the rich history of botanical exploration and documentation.
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