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Orestes, Iphigenia, Pylades, King Thoas and chorus

Orestes, Iphigenia, Pylades, King Thoas and chorus


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Orestes, Iphigenia, Pylades, King Thoas and chorus

Orestes, Iphigenia, Pylades, King Thoas and chorus.. Perhaps this is the moment Iphigenia recognizes Orestes in Euripides -Iphigenia in Aulis-- The painting shows a pensive Orestes, his sister Iphigenia, his friend Pylades, King Thoas and a chorus of young and old women. Behind them is a statue of Diana with her quiver. Excavated in Resina in 1749. Copperplate engraved by Tommaso Piroli from his own Antichita di Ercolano (Antiquities of Herculaneum), Rome, 1789

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Media ID 14196633

© Florilegius / Mary Evans

Antichitadiercolano Antiquitiesofherculaneum Chorus Iphigenia Orestes Pompeii Tommasopiroli Pylades


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> Animals > Mammals > Muridae > Orestes

> Europe > Italy > Campania > Ercolano

> Europe > Italy > Lazio > Rome


EDITORS COMMENTS
This painting, titled "Orestes, Iphigenia, Pylades, King Thoas and Chorus," depicts a poignant moment from Euripides' tragedy "Iphigenia in Aulis." The scene unfolds in the ancient city of Aulis, where Orestes, disguised as a herald, has arrived to save his sister Iphigenia from sacrifice. Here, we see a thoughtful Orestes, his sister Iphigenia, his loyal friend Pylades, King Thoas, and a chorus of young and old women. The background is graced by a statue of Diana, the goddess of the hunt, with her quiver. The painting, excavated in Resina in 1749, is a beautiful copperplate engraving by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquities of Herculaneum), published in Rome in 1789. This exquisite work of art, a testament to the rich history and classical heritage, transports us back to ancient Greece, allowing us to witness a moment of recognition and reunion between brother and sister. The intricate details, from the folds of their robes to the expressions on their faces, evoke the emotions and tension of the story. This masterpiece is a must-see for anyone with an interest in history, art, or Greek mythology.

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