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Wallflower, Erysimum cheiri, and French marigold

Wallflower, Erysimum cheiri, and French marigold


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Wallflower, Erysimum cheiri, and French marigold

Wallflower, Erysimum cheiri, and French marigold, Tagetes patula. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicers Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23192080

© Florilegius/Mary Evans

Adam Captions Cheiri Edition Erysimum Flammea Herb Herbal Krauterbuch Lonicer Luteum Marigold Patula Pirate Tagetes Viola Wallflower Woodblock Woodcut Dios


EDITORS COMMENTS
This exquisite handcoloured woodblock engraving showcases two beloved garden favourites: the Wallflower (Erysimum cheiri) and the French Marigold (Tagetes patula). Originally depicted in Adam Lonicer's Krauterbuch, or Herbal, published in Frankfurt in 1557, this botanical illustration is a testament to the meticulous detail and artistry of the 16th century. The Wallflower, also known as Viola cheiri or Cheiranthus cheiri, is a hardy annual with vibrant yellow, orange, or red blooms that emit a sweet, pleasant fragrance. The plant's name, Wallflower, refers to its preference for growing against walls or near buildings to protect it from the wind. In the engraving, the Wallflower is illustrated with its characteristic nodding, bell-shaped flowers and serrated, lance-shaped leaves. The French Marigold, or Tagetes patula, is a popular ornamental plant with bright, golden-yellow or deep-red flowers. Its common name, Marigold, is derived from the Old English word "Mary-gold," as the flowers were traditionally used in religious ceremonies dedicated to the Virgin Mary. In the engraving, the French Marigold is depicted with its distinctive, flat-topped inflorescence and fern-like leaves. This botanical illustration is a rare example of the international exchange of knowledge during the Renaissance period. The captions surrounding the image are in Latin, Greek, French, Italian, German, and English manuscript, reflecting the global dissemination of botanical knowledge. The intricate handcolouring and fine woodblock engraving techniques employed in this piece highlight the importance of botanical illustration in the development of modern botany and medicine.

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