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Stephanie Felicite du Crest de St. Aubin, Comtesse de Genlis
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Stephanie Felicite du Crest de St. Aubin, Comtesse de Genlis
Stephanie Felicite du Crest de St. Aubin, Comtesse de Genlis, French writer, harpist and educator 1746-1830. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroixs Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852
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Media ID 23157060
© Florilegius/Mary Evans
Administration Aubin Bibliophile Comtesse Crest Educator Felicite Genlis Harpist Historiques Jacob Lacroix Stephanie
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Stephanie Felicite du Crest de St. Aubin, Comtesse de Genlis (1746-1830) was a remarkable Frenchwoman who excelled in various fields, leaving an indelible mark on literature, music, and education. This exquisite handcoloured lithograph, taken from Le Bibliophile Jacob's Costumes Historiques de la France, captures the essence of her refined elegance and artistic sensibility. Born into a noble family, Genlis was a gifted harpist and composer who performed at the French court. However, her true passion lay in writing. She penned numerous novels, essays, and educational works, some of which were published under the pseudonym "Mademoiselle de Genlis." Her most famous work, "Adelaide and Theodore," is a novel that combines elements of Gothic horror and moral instruction. Genlis was also a pioneering educator, advocating for the importance of early childhood education and the role of literature in shaping young minds. She wrote several influential educational treatises, including "A Parent's Memoirs" and "Constitution of the Education of a Princess." Her innovative methods were adopted by many European courts, including that of Catherine the Great of Russia. This image of Comtesse de Genlis, dressed in the height of 19th-century French fashion, serves as a testament to her multifaceted talents and enduring influence. The intricate details of her gown, the delicate folds of her shawl, and the expressive gaze of her eyes all speak to the artistry and craftsmanship of the lithograph itself. A true visionary and polymath, Genlis continues to inspire and intrigue scholars and enthusiasts alike, long after her time.
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