Spring snowflake, Leucojum vernum, and daffodil

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Spring snowflake, Leucojum vernum, and daffodil

Spring snowflake, Leucojum vernum, and daffodil, Narcissus poeticus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicers Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript

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Media ID 23192196

© Florilegius/Mary Evans

Adam Captions Daffodil Edition Herb Herbal Krauterbuch Latin Leucojum Lonicer Luteum Narcissus Pirate Poeticus Snowflake Spring Vernum Woodblock Woodcut

EDITORS COMMENTS
1. Title: A Springtime Bouquet of Leucojum Vernum, or Spring Snowflake, and Narcissus Poeticus, or Daffodil This exquisite handcoloured woodblock engraving, taken from the 16th century botanical atlas "Adam Lonicer's Krauterbuch," or Herbal, showcases two beloved spring blooms: Leucojum vernum, also known as the Spring Snowflake, and Narcissus poeticus, commonly referred to as the Daffodil. The intricate detail and vibrant colors of this botanical illustration capture the essence of the season's first blossoms, as they gracefully emerge from the earth to welcome the arrival of spring. Leucojum vernum, the Spring Snowflake, is a bulbous perennial plant native to Europe and Western Asia. Its elegant, bell-shaped white flowers, adorned with a green stripe, resemble delicate snowflakes, giving the plant its common name. This charming flower is often used in herbal medicine for its anti-inflammatory and antispasmodic properties. Narcissus poeticus, the Daffodil, is a species of narcissus that is native to the Mediterranean region. Its iconic yellow flowers, with their distinctive central cup and surrounding corona, are a beloved symbol of spring and rebirth. The Daffodil has a rich history, with references to it in the works of ancient Greek botanist Theophrastus and Roman poet Virgil. This particular botanical illustration is a pirate edition or atlas of the original work, which was first published in Frankfurt in 1557. The captions accompanying the illustration are written in Latin, Greek, French, Italian, German, and English manuscript, reflecting the international reach and influence of botanical knowledge during the Renaissance period. The intricate woodblock engraving process involved carving the design into a block of wood, inking it, and then pressing it onto paper to create the final image. The addition of handcoloring further enhances the detail and beauty of the illustration, making it a valuable and captivating piece of botanical art.

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