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Skeleton of death aiming a dart at a woman sewing a garment

Skeleton of death aiming a dart at a woman sewing a garment


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Skeleton of death aiming a dart at a woman sewing a garment

Skeleton of death aiming a dart at a woman sewing a garment. Death and the Seamstress. Handcoloured copperplate engraving by Joshua Gleadah after an illustration by Benedictus Antonio Van Assen from The British Dance of Death, Hodgson, London, 1823

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Media ID 23382422

© Florilegius

Aiming Antonio Arrow Assen Benedictus Cruikshank Dart Garment Gleadah Joshua Piano Regency Sewing Skeleton Student Musical


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EDITORS COMMENTS
Skeleton of Death Aiming a Dart at a Woman Sewing a Garment," a captivating hand-colored copperplate engraving from the British Dance of Death series, created by Benedictus Antonio Van Assen and engraved by Joshua Gleadah in 1823. This hauntingly beautiful image depicts Death personified as a skeleton, poised to hurl a dart at an unsuspecting woman as she focuses intently on her sewing. The woman, dressed in the fashionable attire of the Regency era, is engrossed in her work, oblivious to the imminent threat looming over her. The Dance of Death, also known as the Danse Macabre, is a series of medieval allegorical representations of Death as a skeleton, leading various figures from all walks of life to their graves. This particular illustration, with its intricate details and vivid colors, highlights the fragility of life and the inevitability of death. In the background, a musical student plays a piano, seemingly unaware of the scene unfolding before him. The juxtaposition of the mundane activities of daily life and the impending specter of death serves as a poignant reminder of the transience of human existence. The intricate details of the woman's garment, the skeleton's bony fingers, and the rich textures of the background all contribute to the overall sense of depth and intrigue in this work of art. This hauntingly beautiful image, created by the talented hands of Van Assen and Gleadah, invites us to reflect on the fragility of life and the inevitability of death, while also showcasing the intricacies of the Regency era and the art of hand-colored copperplate engraving.

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