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Sage, Salvia acuminata, and wood sage, Salvia sylvestris
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Sage, Salvia acuminata, and wood sage, Salvia sylvestris
Sage, Salvia acuminata, and wood sage, Salvia sylvestris. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicers Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript
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Media ID 23191696
© Florilegius/Mary Evans
Acuminata Adam Captions Edition Herb Herbal Krauterbuch Latin Lonicer Manuscript Pirate Sage Salvia Sylvestris Woodblock Woodcut
EDITORS COMMENTS
This exquisite handcoloured woodblock engraving, taken from the 16th century botanical masterpiece "Krauterbuch" or "Herbal" by Adam Lonicer, showcases two varieties of sage, Salvia acuminata and Salvia sylvestris. The intricate detail and vibrant colors of the illustration highlight the unique characteristics of each plant. Salvia acuminata, also known as the pineapple sage, is depicted on the left side of the print. Its leaves are shaped like small spears, giving it the specific epithet "acuminata," meaning pointed. This sage is native to Central and South America and is valued for its distinct pineapple-like aroma and sweet taste. It was often used by indigenous peoples for medicinal purposes and was later introduced to European gardens for its ornamental and culinary value. On the right side of the print, Salvia sylvestris, commonly known as wood sage or blue sage, is illustrated. This sage is native to the Mediterranean region and is easily identified by its blue-purple flowers and gray-green leaves. The plant's name, "sylvestris," means "of the forest," reflecting its preference for wooded habitats. Wood sage was widely used in traditional medicine for various ailments, including sore throats, digestive issues, and respiratory problems. This woodblock engraving is a beautiful example of the detailed botanical illustrations that were produced during the Renaissance period. The illustration is richly adorned with intricate patterns and features annotations in several languages, including Latin, Greek, French, Italian, German, and English. These multilingual captions allowed the work to be accessible to a diverse audience, contributing to the dissemination of botanical knowledge across Europe and beyond. This pirate edition of Krauterbuch, featuring only the illustrations and captions, is a valuable resource for researchers, historians, and anyone interested in the history of botany and herbal medicine.
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