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Muslim fakir or faqir holy men in India

Muslim fakir or faqir holy men in India


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Muslim fakir or faqir holy men in India

Muslim fakir or faqir holy men: naga with stick, paramahamsa sitting under a tree, painted sannyasi, naked avadhuta, robed Baisnab Vaisnava and fakir at prayer. After illustrations by Francois Solvyns. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrarios Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1844

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Media ID 23173602

© Florilegius/Mary Evans

Ascetic Beggar Fakir Ferrario Francois Giulio Muslim Naga Solvyns Faqir


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> Asia > India > Related Images

> Europe > Italy > Florence

> Europe > Italy > Tuscany > Florence

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
This image, drawn and engraved by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, published in Florence, Italy, in 1844, depicts a vibrant assembly of Muslim fakir or faqir holy men in India. The diverse group includes a naga fakir, identifiable by the coiled snake around his neck, a paramahamsa, or forest-dwelling sage, seated under a tree, a painted sannyasi, a naked avadhuta, a robed Baisnab Vaisnava, and a fakir at prayer. The Muslim fakir or faqir are ascetic holy men recognized in both Hindu and Muslim traditions, known for their spiritual practices, wandering lifestyle, and reliance on begging for survival. The naga fakir's snake represents his mastery over the elements and his detachment from worldly desires. The paramahamsa, with his serene expression and simple attire, embodies the essence of renunciation and wisdom. The painted sannyasi, with his saffron robes and shaved head, is a wandering monk seeking spiritual enlightenment. The naked avadhuta, a radical ascetic, has renounced all material possessions, including clothing. The robed Baisnab Vaisnava, a devotee of Lord Krishna, wears the sacred mark of a tilak on his forehead and carries symbols of his faith. This enchanting illustration, hand-colored using copperplate techniques, offers a rare glimpse into the rich tapestry of spiritual traditions in India during the 19th century. The intricate details and vibrant colors bring the scene to life, inviting us to contemplate the dedication and devotion of these holy men as they seek inner peace and enlightenment.

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