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Form, Girls, Form, by John E Astes and Carlo Minasi

Form, Girls, Form, by John E Astes and Carlo Minasi


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Form, Girls, Form, by John E Astes and Carlo Minasi

Promotional music sheet for Form, Girls, Form song of 1860 by John E. Astes, and Carlo Minasi, sung by Miss Kate Harley. There was hysteria about a possible French invasion in the years around 1860. By February 1862, 160, 000 men had joined the Volunteer movement. although there was no evidence that there were lady volunteers, although the same uniform appears several times in images of the time and the subject was a popular one for the music halls. These ladies stand ready with their bows and arrows to repel any invaders. Date: 1860

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Media ID 23102358

© The Michael Diamond Collection / Mary Evans Picture Library

Armed Arrows Bows Enjoyment Entertainer Jan19 Marketing Militia Performer Programme Promotional Publicity Sheet Singer Song Volunteers Musical


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EDITORS COMMENTS
Form, Girls, Form: A Musical Call to Arms in 1860s England This promotional music sheet for the song "Form, Girls, Form" by John E. Astes and Carlo Minasi, sung by Miss Kate Harley, offers a glimpse into the unique blend of music, theater, and social commentary that defined Victorian-era entertainment. The year was 1860, and the fear of a French invasion had gripped England. Despite no concrete evidence of female volunteers, the image of women in military uniform, armed with bows and arrows, was a popular theme in music halls. This illustration showcases a group of determined ladies, poised and prepared to defend their homeland. The sheet music's intricate design, with its ornate borders and vibrant colors, reflects the heightened sense of excitement and anticipation that permeated the era. The title, "Form, Girls, Form," suggests a call to action, urging women to take up arms and assume their roles as protectors of the realm. The popularity of this song and its accompanying imagery speaks to the broader cultural trends of the time, including the growing influence of the Volunteer movement and the increasing role of women in public life. While the ladies in this illustration may not have been actual volunteers, their presence in this promotional material underscores the power of music and art to shape public perception and fuel the collective imagination. This piece of Victorian-era ephemera invites us to explore the rich tapestry of entertainment, social commentary, and historical context that intertwined during this fascinating period in English history.

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