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Flamevine or orange trumpetvine, Pyrostegia venusta
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Flamevine or orange trumpetvine, Pyrostegia venusta
Flamevine or orange trumpetvine, Pyrostegia venusta (Lovely bignonia, Bignonia venusta). Handcoloured copperplate engraving by S. Nevitt after a botanical illustration by Mrs Augusta Withers from Benjamin Maund and the Rev. John Stevens Henslows The Botanist, London, 1836
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Media ID 23161632
© Florilegius/Mary Evans
Augusta Benjamin Bignonia Botanist Henslow Lovely Maund Stevens Withers Venusta
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This exquisite hand-colored copperplate engraving showcases the stunning beauty of the Flamevine, or Orange Trumpetvine, Pyrostegia venusta. The intricate detail of the illustration, produced by the skilled hand of Mrs. Augusta Withers, captures the vibrant colors and unique features of this plant. The engraving, executed by S. Nevitt, masterfully brings out the rich hues of the flame-like orange flowers that adorn the vine, adding to its allure. The Flamevine, also known as the Lovely Bignonia or the Victorian Trumpet Creeper, is a native of South America. It was first introduced to Europe in the early 19th century and quickly became a popular addition to Victorian gardens due to its striking appearance. The vine can grow up to 20 feet in length and is covered in trumpet-shaped flowers that bloom in the summer months. The botanical illustration, published in Benjamin Maund and the Rev. John Stevens Henslow's esteemed publication, The Botanist, in London, 1836, showcases the meticulous attention to detail and dedication to scientific accuracy that was characteristic of the Victorian era's botanical illustrations. The image of the Flamevine serves as a testament to the beauty and importance of the natural world during this time, as well as the artistic and scientific achievements of the era. Mrs. Augusta Withers, the talented artist behind this illustration, was a prominent figure in the field of botanical illustration during the Victorian era. Her work was highly regarded for its precision, beauty, and ability to capture the essence of the plants she depicted. Withers' illustrations were published in numerous botanical works, making her a significant contributor to the field of botany and the documentation of the natural world during this period.
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