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Deepdene, Surrey, the seat of banker Thomas Hope
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Deepdene, Surrey, the seat of banker Thomas Hope
Deepdene, Surrey, the seat of banker and author Thomas Hope. House and gardens remodeled by Regency architect William Atkinson. Handcoloured copperplate engraving after an illustration by John Gendall from Rudolph Ackermanns Repository of Arts, London, 1823
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Media ID 23389416
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Ackermann Aristocracy Arts Banker Daniel Economist Fuller Gendall Gentry Hope Landed Landscaped Regency Repository Rookery Rudolph Scholar Seat Stately Surrey Deepdene Malthus Westcott
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EDITORS COMMENTS
Deepdene, Surrey: The Stately Home and Gardens of Banker and Author Thomas Hope Deepdene in Surrey, England, is a magnificent example of Regency-era architecture and landscaping, as depicted in this handcoloured copperplate engraving by John Gendall, published in Rudolph Ackermann's Repository of Arts in London in 1823. The seat of Thomas Hope, a prominent banker and author, Deepdene was built and landscaped during the early 19th century, with designs by architect William Atkinson. Thomas Hope was not only a successful banker but also an accomplished author, known for his works on art and aesthetics. He was the father of economist and scholar Daniel Malthus, who famously theorized about population growth and its impact on resources. The house and gardens at Deepdene underwent significant transformations, with Atkinson's designs incorporating elements of the picturesque and Gothic Revival styles. The resulting estate was a stunning blend of architecture and landscape, featuring winding paths, serene lakes, and intricately designed gardens. Richard Fuller, the owner of the Rookery, a nearby estate, is also believed to have played a role in the development of Deepdene's gardens. The collaboration between Hope, Atkinson, and Fuller resulted in a breathtaking landscape that continues to captivate visitors today. This engraving, produced by the skilled hands of John Gendall, offers a glimpse into the grandeur and elegance of Deepdene during the Regency period. The meticulous handcolouring adds depth and richness to the image, making it a beautiful addition to any collection of historical prints or studies in architectural history.
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