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Music and dance of the 8th or 9th century
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Music and dance of the 8th or 9th century
Music and dance of the 8th or 9th century.. Handcolored copperplate drawn and engraved by Leopold Massard from French Costumes from King Clovis to Our Days, Massard, Mifliez, Paris, 1834
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Media ID 14216476
© Florilegius / Mary Evans
Cape Frenchcostumesfromkingclovistoourdays Leopoldmassard Lyre Musicians Tunic Plectrum
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EDITORS COMMENTS
This handcolored copperplate drawing and engraving, titled "Music and Dance of the 8th or 9th Century," is an exquisite depiction of medieval music and dance culture as imagined by Leopold Massard in the early 19th century. The image, taken from the French publication "French Costumes from King Clovis to Our Days," showcases a young girl in a flowing tunic and cape, engaged in a lively dance accompanied by musicians playing a double flute and a lyre. The musicians, dressed in robes and tunics, are intently focused on their instruments, their expressions conveying a deep connection to the music they create. The intricate details of the illustration are a testament to Massard's skill as an artist and engraver. The delicate folds of the girl's tunic and cape, the intricate patterns on the musicians' robes, and the textured details of the instruments are all rendered with remarkable precision and artistry. The use of handcoloring adds an additional layer of richness and depth to the image, bringing the figures and their surroundings to life. The music and dance depicted in this illustration offer a glimpse into the cultural practices of the medieval period. Music and dance were important forms of expression and entertainment, and were often used to celebrate special occasions and mark the passage of time. The double flute and lyre were common instruments during this time, and were often used in both secular and religious contexts. Overall, this beautiful illustration offers a fascinating window into the past, providing a glimpse into the music, dance, and fashion of the 8th or 9th century as imagined by Leopold Massard in the early 19th century.
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