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Max Beerbohm
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Max Beerbohm
MAX BEERBOHM English critic and caricaturist Date: 1872-1956
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Media ID 14259478
© Mary Evans Picture Library
1872 1956 Beerbohm Caricaturist Cigarette Critic
EDITORS COMMENTS
Max Beerbohm: A Visionary Wit and Masterful Caricaturist of the Early 20th Century Max Beerbohm (1872-1956), a renowned English critic and caricaturist, is depicted in this photograph as he leisurely smokes a cigarette, lost in thought or contemplation. The image, taken during the early 1900s, captures the essence of Beerbohm's unique personality and artistic genius. Born in London on March 24, 1872, Beerbohm's early years were marked by a deep love for literature and art. He began his career as a writer and illustrator for various publications, including the Saturday Review and the Pall Mall Magazine. However, it was his gift for caricature that would ultimately bring him international acclaim. Beerbohm's caricatures were renowned for their wit, insight, and remarkable accuracy. He captured the likenesses and personalities of his subjects with a deft touch, often revealing their hidden quirks and idiosyncrasies. His subjects ranged from literary luminaries such as Oscar Wilde, W.B. Yeats, and George Bernard Shaw, to politicians, artists, and society figures. Despite his success as a caricaturist, Beerbohm's true passion was for writing. He authored several books, including "Zuleika Dobson," a novel that caused a scandal due to its explicit content, and "Around Theatres," a collection of essays on the theater. Beerbohm's writing was characterized by its stylish prose, keen observations, and biting wit. In this photograph, Beerbohm's intellectual and artistic prowess are on full display. The cigarette, held between his fingers, seems to symbolize the creative energy that fueled his work. The historical significance of this image lies in its capture of a visionary artist and wit at the height of his creative powers. Max Beerbohm's legacy continues to inspire and influence artists and writers to this day. His caricatures and writings remain a testament to his unique talent and his place in the annals of English literary and artistic history.
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