Kyouchikutou or oleander flower, Nerium oleander var indicum
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Kyouchikutou or oleander flower, Nerium oleander var indicum
Kyouchikutou or oleander flower, Nerium oleander var. indicum.. Handcolored woodblock print by Kono Bairei from Kusa Bana Hyakushu (One Hundred Varieties of Flowers), Tokyo, Yamada, 1901
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Media ID 14214230
© Florilegius / Mary Evans
Gardenflower Japanesewoodcut Konobairei Kusabanahyakushu Onehundredvarietiesofflowers Woodblock
EDITORS COMMENTS
This exquisite handcolored woodblock print showcases the breathtaking beauty of the Kyouchikutou, or oleander flower (Nerium oleander var. indicum), as depicted in Kusa Bana Hyakushu (One Hundred Varieties of Flowers) by the renowned Japanese artist Kono Bairei. Produced in Tokyo by Yamada in the year 1901, this botanical masterpiece is a testament to the artist's exceptional skill and dedication to capturing the essence of nature. The Kyouchikutou, also known as the Indian oleander, is an evergreen shrub native to the Mediterranean region and tropical Asia. Its vibrant, showy flowers come in various shades of pink, red, and white, and bloom profusely from late spring to early fall. The plant's toxicity makes it a popular ornamental flower in Japan, where it is often grown in gardens as a symbol of eternal love and perseverance. Bairei's meticulous attention to detail is evident in the intricate patterns and textures of the flower's petals, veins, and stamen, as well as the delicate rendering of the plant's leaves and branches. The artist's use of handcoloring adds an additional layer of depth and richness to the print, bringing the Kyouchikutou to life in a way that transcends the two-dimensional medium of woodblock printing. As part of the Kusa Bana Hyakushu series, this print reflects the broader cultural context of Japan's fascination with botanical illustration during the Meiji period (1868-1912). The series showcases a diverse range of flowers, reflecting the country's burgeoning interest in Western scientific methods and the natural world. This beautiful work of art not only serves as a stunning representation of the Kyouchikutou, but also as a window into the history and aesthetics of Japanese botanical art.
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