Elizabeth Wray, Baroness Norris, reverse

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Elizabeth Wray, Baroness Norris, reverse

Portrait of Elizabeth Wray, Baroness Norris, holding a funerary wreath, oil on canvas by John Hayl, c.1638 and overpainted c.1645, in a gilded frame with moulded decoration. Date: c.1638-1645

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Media ID 15493257

© The Geffrye Museum of the Home / Mary Evans Picture Library

Rear Stuart Unknown

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EDITORS COMMENTS
1. Title: Reverse of a Portrait of Elizabeth Wray, Baroness Norris, Holding a Funerary Wreath, c.1638-1645 2. Description: This reverse image reveals the intricate details of the gilded frame encasing the oil on canvas portrait of Elizabeth Wray, Baroness Norris, painted by John Hayls around 1638 and later overpainted in 1645. The frame, with its moulded decoration, adds an ornate and grandeur touch to the artwork. The background, predominantly white, provides a stark contrast to the rich brown hues of the frame, drawing attention to the portrait itself. 3. Object: The portrait, which is vertical and single, depicts Baroness Norris in a solemn pose, holding a funerary wreath. Her somber expression and the wreath in her hands suggest that this painting may have been created as a memorial piece. The artist, John Hayls, was a prominent painter during the Stuart period, known for his portraits of the English nobility. 4. Background: The portrait is believed to have been painted around 1638, during the reign of King Charles I. The overpainting in 1645 could be a result of the political and social upheavals of the English Civil War, which saw the execution of the king and the rise of the Commonwealth. The reverse image offers a glimpse into the history of the painting, revealing the layers of time and the various transformations it has undergone. 5. Colour and Image: The reverse image, with its warm brown tones and intricate gold details, offers a different perspective to the portrait, inviting viewers to appreciate the artwork not just for its subject but also for its historical and artistic significance. The image serves as a reminder of the rich cultural heritage of the 17th century and the enduring allure of oil painting as an art form.

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