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Coragyps atratus, black vulture
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Coragyps atratus, black vulture
Plate 106 from John James Audubons Birds of America, original double elephant folio (1831-34), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London
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Media ID 8599023
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10704571
Accipitriformes Aquatint Artiodactyl Artiodactyla Audubon Bald Bird Of Prey Birds Of America Carrion Cervidae Cervinae Cervus Deer Epitheria Eutheria Black Vulture Cathartidae Coragyps Coragyps Atratus
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> Animals
> Birds
> Accipitriformes
> Vultures
> Black Vulture
> Animals
> Birds
> Accipitriformes
> Vultures
> Cathartidae
> Animals
> Birds
> Elephant Birds
> Related Images
> Animals
> Mammals
> Cervidae
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> Animals
> Mammals
> Vespertilionidae
> Atratus
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> John James Audubon
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> United Kingdom
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> London
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> Natural History Museum
EDITORS COMMENTS
Plate 106 from John James Audubon's seminal work, "Birds of America," features the striking image of a Black Vulture, Coragyps atratus, in its natural habitat. This hand-coloured aquatint engraving, produced by R. Havell (& Son) in London between 1831 and 1834, showcases the intricate details of this bird of prey's anatomy, making it a masterpiece of 19th-century ornithological illustration. The Black Vulture, a member of the Cathartidae family, is depicted with its wings spread wide, revealing the distinctive featherless heads of this carrion-eating bird. The vulture's powerful claws and sharp beak are also clearly visible, highlighting its role as a formidable scavenger in the American wilderness. In the background, a deer, Cervus spp., grazes in a forest clearing, providing a sense of scale and context to the scene. The daytime setting is depicted with meticulous attention to detail, from the dappled sunlight filtering through the trees to the textured foliage and rocky terrain. Audubon's "Birds of America" is renowned for its accurate and detailed depictions of American birds, and this plate is no exception. The use of the aquatint technique allowed for a wide range of tonal values, resulting in a rich and nuanced image that brings the Black Vulture to life. As a key work in the field of ornithology, this plate not only showcases the natural history of the Black Vulture but also offers a glimpse into the artistic and scientific achievements of the early 19th century. The intricate details of the engraving and hand-colouring make it a must-see for anyone interested in the natural world or the history of art and science.
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