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El Rufian viudo llamado Trampagos. Short farce by Cervantes
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El Rufian viudo llamado Trampagos. Short farce by Cervantes
Miguel de Cervantes (1547-1616). Spanish writer. Short farce The Ruffian widower named Trampagos (El Rufian viudo llamado Trampagos). Engraving. 1868. Private collection
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Media ID 14322671
© Thaliastock / Mary Evans
1868 Cervantes Dramatic Farce Miguel Named Private Quarrel Rogue Ruffian Widower Scoundrel Short Theatrical
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El Rufian viudo llamado Trampagos
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(The Ruffian Widower named Trampagos) is a short farce by the renowned Spanish writer Miguel de Cervantes, hailing from the Golden Age of Spanish literature. This engraving, created in 1868, depicts a scene from the play that showcases the comical antics of the central character, Trampagos. Trampagos, a ruffian and scoundrel, is portrayed in the image as a burly man with a scruffy beard and a menacing expression. He is shown in the midst of a heated quarrel with a group of women, all of whom are clustered around him, pointing fingers and shouting. The widower's widow, who stands at the center of the scene, looks on in disbelief and exasperation. Cervantes, known for his sharp wit and keen observation of human nature, penned this farce as an entremes, a short theatrical piece meant to provide comic relief between more serious acts in a play. In "El Rufian viudo llamado Trampagos," the author explores the theme of a man's insatiable appetite for women and the chaos that ensues when he is unable to control his desires. The play's title character, Trampagos, is a rogue and a ruffian, a man who delights in causing trouble and stirring up quarrels. In this scene, he has managed to anger a group of women, each of whom believes herself to be the rightful object of his affections. The resulting chaos is a testament to the power of Cervantes' storytelling and his ability to bring the human condition to life through humor and satire. This engraving, a visual representation of the play's action, serves as a reminder of the enduring appeal of Cervantes' work and the lasting impact of his contributions to the literary world. As a historical artifact, it offers a glimpse into the theatrical traditions of 17th-century Spain and the enduring popularity of farce as a form of entertainment.
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