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Ecce Homo, 1655, by Rembrandt (1606-1669)

Ecce Homo, 1655, by Rembrandt (1606-1669)


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Ecce Homo, 1655, by Rembrandt (1606-1669)

Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. Ecce Homo, 1655. Rijksmuseum. Amsterdam. Holland

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Media ID 14335128

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1655 Amsterdam Baroque Biblical Christ Drypoint Ecce Etching Harmenszoon Holland Homo Jesus Netherlandish Netherlands Passion Rembrandt Rijksmuseum Rijn Pilates


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> Arts > Art Movements > Baroque

> Arts > Artists > R > Rembrandt

> Arts > Artists > Rembrandt van Rijn > Baroque painting

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> Arts > Artists > Rembrandt van Rijn > Etchings by Rembrandt

> Arts > Artists > Rembrandt van Rijn > Historical paintings

> Arts > Artists > Rembrandt

> Arts > Contemporary art > Modern art > Still life

> Arts > Still life artwork > Still life art

> Arts > Still life artwork


EDITORS COMMENTS
Ecce Homo," or "Behold the Man," is a powerful and moving work by the renowned Dutch painter and printmaker, Rembrandt Harmenszoon van Rijn. Created in 1655, this masterpiece is currently housed in the prestigious Rijksmuseum in Amsterdam, Holland. The painting depicts a scene from the New Testament, specifically the moment when Jesus Christ, wearing a crown of thorns and carrying the cross, is presented to the crowd by Pontius Pilate. Rembrandt's interpretation of this biblical story is both dramatic and emotive. The use of chiaroscuro, or strong contrasts between light and dark, adds depth and texture to the image, bringing the figures to life. The etching technique, which involves using a sharp tool to incise lines into a metal plate, allows for intricate detail and nuanced shading. The crowd in the painting is a fascinating study of human emotion and reaction. Some faces are filled with shock and disbelief, while others are filled with anger and hatred. The contrast between the suffering Christ and the callousness of the crowd adds to the overall sense of tragedy and despair. The title "Ecce Homo" is significant in the context of this work. It is a phrase used by Pontius Pilate when he presented Jesus to the crowd, essentially saying "behold the man" and placing the responsibility for his fate in their hands. This moment is a poignant reminder of the human capacity for both compassion and cruelty, and the power of choice in shaping the course of history. Overall, Rembrandt's "Ecce Homo" is a testament to the artist's mastery of the medium and his ability to convey the complexities of the human condition. It is a work that continues to captivate and inspire viewers, and a reminder of the enduring power of art to provoke thought and reflection.

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