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Dead boy on a Dolphin by Raphael
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Dead boy on a Dolphin by Raphael
Dead boy on a Dolphin by Raphael (Raffaello Sanzio da Urbino) (1483-1520) - Italian painter and architect of the High Renaissance. Held at the Hermitage Museum and Art Gallery/Collection, St Petersburg, Russia. Some now believe this piece to be the work on one of Raphaels pupils, Lorenzo Lorenzetti Date: 16th century
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Media ID 14417254
© Mary Evans / Grenville Collins Postcard Collection
Architect Dead Dolphin Gallery Hermitage Painter Petersburg Raffaello Raphael Renaissance Sanzio Sculptor Urbino Stylistic
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Dead Boy on a Dolphin
EDITORS COMMENTS
is a captivating and enigmatic masterpiece by the Italian High Renaissance artist Raphael (Raffaello Sanzio da Urbino), held at the esteemed Hermitage Museum and Art Gallery in St. Petersburg, Russia. Created during the 16th century, this painting showcases Raphael's exceptional skill as a painter, sculptor, and architect. While Raphael is widely recognized for his iconic Madonnas and portraits, this work presents a unique and intriguing departure from his more commonly known subjects. The painting depicts a young boy, seemingly lifeless, lying on the back of a dolphin that gracefully emerges from the water. The boy's serene expression and the gentle curve of the dolphin's body create a striking contrast between life and death, inviting viewers to ponder the mysteries of existence. The painting's composition, with the boy's body forming an "S" shape that mirrors the curve of the dolphin's back, adds to its visual allure and dynamic sense of movement. Despite being attributed to Raphael, some art historians now believe that this work might be the creation of one of his pupils, such as Lorenzo Lorenzetti. Regardless of its creator, "Dead Boy on a Dolphin" remains an essential piece in the Hermitage Museum's collection, showcasing the stylistic influences and innovative techniques that characterized the High Renaissance period. The painting's enduring enigma continues to captivate and inspire art enthusiasts and scholars alike, making it an invaluable addition to the world of art history.
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