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Codex Aemilianensis, s. X. Visigoth Bishops

Codex Aemilianensis, s. X. Visigoth Bishops


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Codex Aemilianensis, s. X. Visigoth Bishops

Codex Aemilianensis. 992-994. Five Hispano-Visigoth bishops. Mozarabic art. Miniature Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). San Lorenzo de El Escorial. Royal Library of the Monastery of El Escorial. Proc: SPAIN. LA RIOJA. San Millᮠ de la Cogolla. Suso Monastery in San Millᮮ

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Media ID 14179730

© Iberfoto/Mary Evans

Autonomous Bishops Codex Cogolla Community Escorial Hispano Lorenzo Mill Millan Monastery Mozarabic Proc Rioja Spaniard Spaniards Upright Visigoth Europeans Masculine Persons Suso


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> Arts > Portraits

> Europe > Spain > Heritage Sites > San Millßn Yuso and Suso Monasteries

> Europe > Spain > Madrid

> Europe > Spain > Paintings


EDITORS COMMENTS
1. Title: Five Hispano-Visigoth Bishops Depicted in the Codex Aemilianensis: A Glimpse into the Medieval Spanish Ecclesiastical Hierarchy The Codex Aemilianensis, a precious manuscript from the late 10th century, offers a captivating glimpse into the world of the Hispano-Visigoth bishops during the medieval period in Spain. This exquisite miniature painting, housed in the Royal Library of the Monastery of El Escorial in Madrid, Spain, showcases five bishops in full regalia, each displaying an air of authority and piety. The Codex Aemilianensis, created between 992 and 994, is an essential piece of Mozarabic art, showcasing the unique artistic style that emerged from the fusion of Visigoth and Islamic influences in the Iberian Peninsula during this time. The vertical, upright composition and vibrant colors of the painting are characteristic of this distinctive artistic tradition. The bishops are depicted in full portrait, each with a unique facial expression and individualized features, suggesting the influence of individual artists or workshops. Their clothing and accessories, such as miters, pectoral crosses, and episcopal staffs, indicate their ecclesiastical rank and status. The provenance of the Codex Aemilianensis is intriguing, as it was discovered in the Suso Monastery in San Millán de la Cogolla, in the La Rioja region of Spain. The monastery, founded in the 6th century, was a significant center of learning and spirituality during the Visigothic period. This stunning miniature painting offers a valuable insight into the lives of the Hispano-Visigoth bishops during a pivotal moment in European history. The Codex Aemilianensis, with its rich cultural significance and artistic merit, continues to captivate scholars, art historians, and history enthusiasts alike.

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