Benjamin Britten with his Alvis Graber
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Benjamin Britten with his Alvis Graber
Colin Graham (left) and Benjamin Britten leaving his Graber bodied Alvis convertible. The man on the right is unidentified. This was during rehearsals for the Beggars Opera a few yards north of the Jubilee Hall, outside what was then Festival Cottage in Crabbe Street (renamed in 1970s-80s Huw House after the welsh-born dachshund who lived in it with Jennifer Andrewes) Date: 1962
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Media ID 14142525
© Walter Rawlings/Mary Evans Picture Library
Alvis Automobile Benjamin Britten Colin Convertible Graham Opera
EDITORS COMMENTS
In this evocative black-and-white photograph, Benjamin Britten, the renowned English composer and conductor, is seen leaving his Alvis Graber convertible during rehearsals for his groundbreaking production of The Beggar's Opera in Aldeburgh, Suffolk, England, in 1962. Britten's creative collaborator and stage director, Colin Graham, is seen in the passenger seat, while an unidentified man stands beside the car. The Alvis Graber, a bespoke automobile designed by the coachbuilding firm Alvis Car and Engineering Company, was a favorite of Britten's. The elegant convertible, with its distinctive curved lines and luxurious interior, was a fitting symbol of the composer's success and sophistication. Britten's love for the Alvis Graber is a testament to his appreciation for fine craftsmanship and attention to detail, qualities that were also reflected in his innovative and influential musical compositions. The photograph was taken just a few yards north of Jubilee Hall, outside what was then known as Festival Cottage in Crabbe Street. Today, the cottage is known as Huw House, named after the Welsh-born dachshund who lived there with Jennifer Andrewes, Britten's longtime companion and manager. The image captures a moment in time during the rehearsals for one of Britten's most iconic productions, offering a glimpse into the creative process of a musical genius at work. This photograph is a valuable historical document, capturing the essence of a pivotal moment in the history of modern opera and the collaboration between Britten and Graham. It offers a unique insight into the world of a visionary artist and his passion for both music and automobiles.
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