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Arthur Rackham / St Ives

Arthur Rackham  /  St Ives


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Arthur Rackham / St Ives

ARTHUR RACKHAM English illustrator: self-portrait in his own illustration to As I was going to St Ives Date: 1867 - 1939

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 7134757

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10078633

1867 Arthur Bald Fingers Ives Rackham Spectacles Spotty Witches


EDITORS COMMENTS
Arthur Rackham's Self-Portrait in 'As I was going to St. Ives': A Glimpse into the Whimsical World of a Visionary English Illustrator Arthur Rackham's self-portrait, artfully interwoven within the enchanting illustrations of his iconic work 'As I was going to St. Ives,' offers a captivating glimpse into the imaginative mind of this renowned English illustrator. Born on September 18, 1867, Rackham's career spanned over six decades, leaving an indelible mark on the literary and artistic landscape of the early 20th century. In this self-portrait, Rackham, with his balding head and spectacles, is depicted as a curious and mischievous figure, his fingers tracing the lines of an intricate map spread before him. The backdrop of the image is a quaint English village, reminiscent of St. Ives, with its thatched-roof cottages and winding cobblestone streets. The scene is further enlivened by the presence of a cackling witch, a common motif in Rackham's work, adding a touch of whimsy and magic to the image. Rackham's illustrations for 'As I was going to St. Ives,' first published in 1907, are considered some of his finest works. The collection, based on the traditional English nursery rhyme, showcases Rackham's mastery of line, color, and composition, transporting readers on a fantastical journey filled with enchantment and intrigue. As we gaze upon this self-portrait, we are reminded of Rackham's significant contribution to the world of illustration and the enduring allure of his work. Dating from 1867 to 1939, this image encapsulates the essence of Rackham's artistic vision and serves as a testament to his enduring legacy in the annals of English literary and artistic history.

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