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The Apple of Eden, by G Carlton Wallace
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The Apple of Eden, by G Carlton Wallace
The Apple of Eden, by G Carlton Wallace, a romantic play first produced at the Elephant and Castle, London, August 1910, then the Princes Theatre, Shaftesbury Avenue, London, April 1912. Produced by Walter and Frederick Melville. Date: circa 1912
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Media ID 14403268
© The Michael Diamond Collection / Mary Evans Picture Library
Apple Carlton Controversial Eden Elephant Frederick Risque Romance Romantic Sepia Temptation Wallace Walter
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The Apple of Eden" by G. Carlton Wallace: A Romantic Theatrical Masterpiece from the 1910s This photograph is a glimpse into the past, showcasing a scene from the romantic play "The Apple of Eden," written by G. Carlton Wallace. The production, which premiered at the Elephant and Castle Theatre in London in August 1910 and later transferred to the Princes Theatre on Shaftesbury Avenue in April 1912, was produced by Walter and Frederick Melville. The image captures the essence of the play's intriguing narrative, which revolves around themes of love, temptation, and the allure of the forbidden. The woman in the foreground, with her expressive eyes and delicate features, embodies the role of the temptress, while the man, with his intense gaze and clenched fists, represents the man torn between his desires and his morals. The outdoor setting, bathed in the warm glow of a sepia filter, adds to the play's modern and risqué appeal. The production was known for its controversial nature, pushing the boundaries of societal norms and challenging the moral sensibilities of its audience. Despite the controversy, "The Apple of Eden" was a popular success, drawing large crowds to the theatre. The play's enduring legacy serves as a reminder of the power of love and the allure of the forbidden fruit, a tale that continues to resonate with audiences even today. This photograph is a testament to the rich history of British theatre in the 1910s and the captivating productions that graced the stages of London's most renowned theatres. It invites us to reflect on the enduring power of romance and the human capacity for temptation, making it a truly intriguing piece of theatrical history.
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