Framed Print : London Opinion 1936
Framed Photos from Mary Evans Picture Library
London Opinion 1936
Illustration showing a bemused motorist driving his car past a SLOW sign and a rather seductive looking hiker busy powdering her nose
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4374084
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10205997
Bemused Busy D River Driving Hiker Hiking Hitch Motorist Nose Opinion Past Powder Powdering Seductive Shorts Slow 1936
22"x18" Modern Frame
Add a touch of vintage charm to your home or office with our Media Storehouse Framed Prints. This captivating piece, titled "London Opinion 1936," showcases a humorous scene of a bewildered motorist encountering a seductive hiker, powdering her nose as he drives by. The print is sourced from the extensive collection at Mary Evans Prints Online, and each framed print is meticulously crafted with high-quality materials to ensure a stunning presentation. Bring the playful spirit of the past into your modern space and start a conversation with this charming addition to your decor.
20x16 Print in an MDF Wooden Frame with 180 gsm Satin Finish Paper. Glazed using shatter proof thin plexiglass. Frame thickness is 1 inch and depth 0.75 inch. Fluted cardboard backing held with clips. Supplied ready to hang with sawtooth hanger and rubber bumpers. Spot clean with a damp cloth. Packaged foam wrapped in a card.
Contemporary Framed and Mounted Prints - Professionally Made and Ready to Hang
Estimated Image Size (if not cropped) is 45.7cm x 50.8cm (18" x 20")
Estimated Product Size is 45.7cm x 55.9cm (18" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
1. Title: "A Dance Between Modernity and Nature: The Unyielding Allure of London's Past" In this illustration from 1936, we witness an intriguing interplay of modernity and nature unfolding on the bustling streets of London. A bemused motorist, his brow furrowed in concentration, navigates his car past a SLOW sign. The sign, with its stark red letters, serves as a stark reminder of the city's traffic regulations. Yet, the motorist's focus is elsewhere. Meanwhile, a rather seductive hiker, clad in stylish shorts and a jaunty hat, busily powders her nose on the side of the road. Her alluring gaze, fixed on her reflection in a compact mirror, is a stark contrast to the urban hustle and bustle around her. The juxtaposition of the motorist's serious demeanor and the hiker's carefree attitude creates an intriguing tableau. The illustration, titled "London Opinion 1936," offers a glimpse into the historical context of April in London. The motorist's car, with its sleek design and streamlined features, represents the burgeoning transport revolution of the era. The hiker, with her hiking stick and backpack, embodies the growing fascination with the great outdoors and the pursuit of leisure. The illustration's vibrant colors and dynamic composition transport us back in time, inviting us to ponder the enduring allure of nature amidst the inexorable march of modernity. The image, with its timeless appeal, continues to resonate with us, offering a fascinating glimpse into London's rich historical tapestry. This illustration, a testament to the past, invites us to reflect on the enduring dance between modernity and nature, and the myriad ways in which they continue to shape our lives.
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