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Ukie sakaichAc fukiyachAc kaomise yorushibai no zu, Perspective picture of a night
Wall Art and Photo Gifts from Liszt Collection
Ukie sakaichAc fukiyachAc kaomise yorushibai no zu, Perspective picture of a night
Ukie sakaichAc fukiyachAc kaomise yorushibai no zu, Perspective picture of a night show of the opening-of-the-season performance at FukiyachAc and SakaichAc. Utagawa, Toyoharu, 1735-1814, artist, [between 1764 and 1772], 1 print : woodcut, color; 22 x 37.6 cm. Print shows crowded street between theater buildings
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12668533
© Quint Lox Limited
1735 1814 1764 1772 Crowded Night Performance Perspective Picture Show Shows Street Theater Toyoharu Ukie Utagawa
Capturing the Vibrant Energy of a Night Show in FukiyachAc and SakaichAc
EDITORS COMMENTS
. This mesmerizing print, created by renowned artist Utagawa Toyoharu between 1764 and 1772, offers a captivating glimpse into the bustling world of entertainment during Japan's Edo period. The scene depicted is none other than the highly anticipated opening-of-the-season performance at FukiyachAc and SakaichAc theaters. The woodcut print, measuring 22 x 37.6 cm, showcases Toyoharu's mastery in capturing perspective and color. As we gaze upon it, we are transported to a crowded street teeming with excitement. Theater buildings tower on either side, their vibrant facades illuminated against the night sky. The atmosphere is electric as people from all walks of life gather for this grand spectacle. The air buzzes with anticipation as theatergoers eagerly make their way through the thronged streets towards an evening filled with enchantment and wonder. Toyoharu's meticulous attention to detail allows us to immerse ourselves in this vivid scene. From the intricate patterns adorning traditional garments to the expressions etched on each face, every element comes together harmoniously to create a sense of liveliness that leaps off the page. This remarkable piece from Liszt Collection serves as both a historical document and a testament to Toyoharu's artistic prowess. It reminds us of the enduring allure of live performances throughout history—a universal desire for shared experiences that transcend time itself
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