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Pieter Hoeveafter: Portrait mothers servants
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Pieter Hoeveafter: Portrait mothers servants
Pieter Hoeveafter:, Portrait of mothers, servants and children of the Leprooshuis in Rotterdam, group portrait portrait painting sculpture wood oil panel, Landscape rectangular portrait of mothers servants and children of the Leprooshuis in Rotterdam Three women, one of whom is seated. Eleven children of which few with salve pot lazarusklep and collection box in hand. servant with lazarusklep another servant with net basket in which collection box on stick Behind the door on the right, partially visible small dog and left on the table pair of scissors and ointment. On the underside full-width white-gray band painted about 10 centimeters high Top in the middle year: Ao 1630 Rotterdam Noord Provenierswijk Schiekade Hoevenaer Houvenaer Houvenaar Leprooshuis leproos Proveniershuis slaughterhouse institution lazarusklep healthcare nursing poor care medical care nursing care needy main headache cut shaving
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18555021
© Liszt Collection
Band Care Children Door Group Portrait Hand Healthcare Institution Main Medical Mothers Noord Nursing Ointment Painted Pair Poor Rectangular Rotterdam Scissors Seated Servant Servants Shaving Stick Table Women Collection Box Headache Needy Slaughterhouse Small Dog
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EDITORS COMMENTS
This print captures Pieter Hoeveafter's masterpiece, "Portrait of Mothers, Servants, and Children of the Leprooshuis in Rotterdam". Painted with meticulous detail on a rectangular wood panel using oil, this group portrait showcases the lives of individuals residing in the Provenierswijk area during the year 1630. In this scene, three women are prominently featured, one seated while two servants stand nearby. Surrounding them are eleven children, some holding salve pots and collection boxes used for fundraising. The presence of lazaruskleps (a type of crutch) indicates that some individuals may have been affected by leprosy. The composition offers glimpses into daily life within the institution as a small dog peeks out from behind a partially visible door. On the table lies a pair of scissors and ointment jars, suggesting medical care being provided to those in need. A striking element is the full-width white-gray band painted about 10 centimeters high at the bottom edge. This unique addition adds depth to an already richly detailed landscape. Pieter Hoeveafter's skillful portrayal not only highlights individual features but also conveys emotions and stories within each subject. Through this artwork, we gain insight into healthcare practices and social dynamics prevalent during that era in Rotterdam.
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