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King Avenir Josaphat Converse Nachor Follower

King Avenir Josaphat Converse Nachor Follower


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Liszt Collection

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King Avenir Josaphat Converse Nachor Follower

King Avenir and Josaphat Converse with Nachor; Follower of Hans Schilling (German, active 1459 - 1467), from the Workshop of Diebold Lauber (German, active 1427 - 1467); Hagenau, Alsace, France (formerly Germany); 1469; Ink, colored washes, and tempera colors on paper; Leaf: 28.6 x 20.3 cm (11 1, 4 x 8 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18495672

© Liszt Collection

11 1 1467 1469 286 X Active 1427 Active 1459 Alsace Colored Washes Diebold Lauber Follower Formerly Germany Hagenau Hans Schilling King Avenir Tempera Colors Workshop


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EDITORS COMMENTS
This print showcases the artwork titled "King Avenir Josaphat Converse Nachor Follower" created by an unknown follower of Hans Schilling, under the supervision of Diebold Lauber. The piece originates from Hagenau, Alsace (formerly Germany) and dates back to 1469. The intricate details and vibrant colors in this ink, colored washes, and tempera on paper composition are truly mesmerizing. Measuring at 28.6 x 20.3 cm (11 1/4 x 8 in. ), this leaf-shaped artwork exudes a sense of regality and grandeur. The central figures depicted are King Avenir and Josaphat Converse engaging in conversation with Nachor, surrounded by a richly adorned background that transports viewers to another era. Each brushstroke captures the essence of their expressions and gestures, inviting us into their world. This masterpiece is a testament to the skillful craftsmanship prevalent during the Renaissance period in Germany. It serves as a window into history, allowing us to appreciate both artistic techniques employed at the time as well as gaining insight into royal conversations that took place centuries ago. As part of the Liszt Collection, this print preserves not only an extraordinary work of art but also our cultural heritage for generations to come. Its beauty transcends commercial use; it stands as a reminder that art has no boundaries when it comes to inspiring awe and fascination within all who encounter it.

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