Interior View Seated Woman Exterior View Women Travelling
Wall Art and Photo Gifts from Liszt Collection
Interior View Seated Woman Exterior View Women Travelling
Interior View of Seated Woman, Exterior View of Women Travelling by Carts, La Hypnerotomachia di Poliphilo: cioe pvgna d amore in sogno, dov egli mostra, che tvtte le cose hvmane non sono altro che sogno, and doue narra molt altre cose degne di cognitione, Colonna, Francesco, d. 1527, Feliciano, Felice, 1433-1479, Woodcut, 1545, Woodcut, c. 1499. The book is unpaginated; the plate is located on page 421, and it is the 160th plate in sequence, counted from the books frontispiece
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18507210
© Liszt Collection
1499 1527 1545 Book Carts Colonna Exterior View Felice Francesco Frontispiece Interior View Located Seated Woman Sono Cose Counted Damore Feliciano Poliphilo Sequence Sogno
EDITORS COMMENTS
This print from the Liszt Collection transports us to a world of dreams and imagination. Titled "Interior View Seated Woman Exterior View Women Travelling" it is an exquisite woodcut illustration taken from the book "La Hypnerotomachia di Poliphilo: cioe pvgna d amore in sogno, dov egli mostra, che tvtte le cose hvmane non sono altro che sogno, and doue narra molt altre cose degne di cognitione". The image showcases two contrasting scenes that beautifully juxtapose each other. In the interior view, we see a serene woman seated gracefully amidst her surroundings. Her expression hints at contemplation as she delves into her own thoughts. On the exterior view, we are transported to a vibrant scene where women travel by carts through an enchanting landscape. The intricate details of their attire and the lively atmosphere suggest a journey filled with adventure and camaraderie. Created by Francesco Colonna in 1527 and later enhanced by Felice Feliciano's woodcut in 1545, this plate holds historical significance within its unpaginated pages. It is located on page 421 of this remarkable book, serving as the 160th plate in sequence when counted from its frontispiece. This print captures not only artistic mastery but also invites us to ponder upon profound themes such as love, dreams, and human existence itself. Its presence adds depth and intrigue to any space it graces while
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