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Georges Seurat Models Poseuses 1886a'1888 Oil
Wall Art and Photo Gifts from Liszt Collection
Georges Seurat Models Poseuses 1886a'1888 Oil
Georges Seurat: Models (Poseuses), Georges Seurat, 1886-1888, Oil on canvas, In this scene set inside Georges Seurats studio, we see models posing in front of A Sunday on La Grande Jatte (Art Institute of Chicago), the famous pointillist painting that caused a scandal when it was first exhibited in 1886. Informed by scientific theories of light, color, and optics, pointillism was dismissed by many critics at the time for being too cold and methodical--a style that could never be applied to noble subjects like the nude. Here, Seurat seems to offer his response, presenting life-size nude bodies from three angles and on a monumental scale. Overall: 78 3/4 x 98 3/8 in. (200 x 249.9 cm)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19593683
© Artokoloro Quint Lox
1886 Applied Chicago Critics Front Georges Seurat Light Models Nude Offer Response Scandal Style Sunday Time Art Institute Dismissed Informed La Grande Jatte Methodical Optics Pointillism Poseuses
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EDITORS COMMENTS
In this print from the Liszt Collection, we are transported to Georges Seurat's studio, where models strike poses in front of his iconic masterpiece, A Sunday on La Grande Jatte. Painted using the revolutionary pointillist technique, which was met with controversy upon its debut in 1886, Seurat challenges critics who dismissed this method as too mechanical and detached for noble subjects like the nude. Seurat's response is bold and thought-provoking. He presents life-size nude bodies from three different angles on a monumental scale, showcasing his mastery of light, color, and optics informed by scientific theories. The result is a mesmerizing composition that defies conventional expectations. As we gaze at this scene set inside Seurat's studio, we witness the juxtaposition of classical beauty with avant-garde innovation. The models' graceful postures harmonize with the intricate dots and dashes that form their figures—a testament to Seurat's meticulous attention to detail. This print invites us to contemplate not only the scandalous nature of A Sunday on La Grande Jatte but also the transformative power of art itself. It serves as a reminder that artistic expression knows no boundaries or limitations—a concept beautifully captured through Seurat's exploration of pointillism and his daring portrayal of the human form. With its rich historical context and striking visual impact, this artwork transports us back in time while challenging our perceptions about traditional artistic norms—an enduring testament to Georges Seurat's genius.
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