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Close No 28 Saltmarket Thomas Annan Scottish

Close No 28 Saltmarket Thomas Annan Scottish


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Liszt Collection

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Close No 28 Saltmarket Thomas Annan Scottish

Close No. 28 Saltmarket; Thomas Annan (Scottish, 1829 - 1887); Glasgow, Scotland; negative 1868, print 1900; Photogravure; 22.5 × 18.4 cm (8 7, 8 × 7 1, 4 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18487126

© Liszt Collection

1829 1887 8 × 7 1 Close No Glasgow Negative 1868 Photogravure Print 1900 Scottish Thomas Annan


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> Arts > Artists > A > Thomas Annan

> Europe > United Kingdom > Scotland > Dumfries and Galloway > Annan

> Europe > United Kingdom > Scotland > Glasgow

> Europe > United Kingdom > Scotland > Strathclyde > Glasgow


EDITORS COMMENTS
This print titled "Close No. 28 Saltmarket" by Scottish photographer Thomas Annan takes us back to the bustling streets of Glasgow, Scotland in the late 19th century. The image, captured in 1868 and printed in 1900 using the photogravure technique, measures approximately 22.5 x 18.4 cm. In this snapshot frozen in time, we are transported to a narrow close or alleyway known as Saltmarket. The scene is filled with an air of mystery and intrigue as sunlight filters through the tall buildings on either side, casting long shadows on the cobblestone street below. Annan's attention to detail is evident as we observe every brick and stone meticulously preserved within this photograph. It offers a glimpse into daily life during that era - from laundry hanging out to dry above doorways to people going about their business along the close. The composition draws our eyes deeper into the frame, inviting us to explore further down this historic path. We can almost hear echoes of footsteps and whispers carried by the wind as we immerse ourselves in this atmospheric setting. As we admire Annan's skillful use of light and shadow, it becomes clear why his work has become highly regarded within photographic circles. This particular print from Liszt Collection serves not only as a visual record but also as a testament to Annan's ability to capture moments that transcend time itself.

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