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Christ Man Sorrows Devotion prints series title
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Christ Man Sorrows Devotion prints series title
Christ as Man of Sorrows Devotion prints (series title), Christ sits with spread arms on the edge of a basin. He shows his wounds and lets the blood flow into the basin. A few passion tools in the background. Above the representation God the Father and around smaller cartouches with eight crucifixions of various saints, Man of Sorrows, Imago Pietatis, Erbarmdebild, Schmerzensmann, the upright Christ showing his wounds, usually bearing the crown of thorns, and accompanied by the instruments of the Passion, standing or sitting in his tomb, Pierre Firens (mentioned on object), Paris (possibly), 1600 - 1639, paper, engraving, h 137 mm × w 95 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19543173
© Artokoloro
1600 1639 Accompanied Background Basin Christ Sits Crown Edge Father Instruments Passion Pierre Firens Series Title Sitting Sorrows Thorns Tomb Wounds Blood Flow Mentioned
EDITORS COMMENTS
This print from the "Christ Man Sorrows Devotion prints series" showcases a powerful representation of Christ as the Man of Sorrows. In this image, Christ is depicted sitting on the edge of a basin with his arms spread wide, revealing his wounds and allowing his blood to flow into the vessel. The background features a few passion tools, adding depth to the scene. Above this poignant depiction stands God the Father, while smaller cartouches surrounding them display eight crucifixions of various saints. The title variations such as Man of Sorrows, Imago Pietatis, Erbarmdebild, and Schmerzensmann further emphasize the theme portrayed in this artwork. The engraving on paper measures 137 mm in height and 95 mm in width. It was created by Pierre Firens (mentioned on object) during what is believed to be between 1600 and 1639 in Paris. This print captures an intense moment that symbolizes Christ's sacrifice for humanity's sins. His wounds are prominently displayed alongside instruments associated with his Passion. Whether standing or sitting within his tomb, he often wears a crown of thorns—a visual reminder of his suffering. The Liszt Collection presents this remarkable piece without any commercial intentions but rather aims to appreciate its historical significance and artistic value.
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