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Antonio Maria Zanetti, I (Italian, 1680-1757) after Parmigianino (aka Francesco Mazzola

Antonio Maria Zanetti, I (Italian, 1680-1757) after Parmigianino (aka Francesco Mazzola


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Liszt Collection

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Antonio Maria Zanetti, I (Italian, 1680-1757) after Parmigianino (aka Francesco Mazzola

Antonio Maria Zanetti, I (Italian, 1680-1757) after Parmigianino (aka Francesco Mazzola, Italian, 1503 - 1540). St. John the Baptist, 1732. Chiaroscuro woodcut printed from 3 blocks in tan, brown, and dark brown

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12691819

© Quint Lox Limited

1503 1540 1732 Brown Dark Brown Expression Francesco Mazzola Graphic John Baptist 1680 1757


EDITORS COMMENTS
This print showcases Antonio Maria Zanetti's remarkable talent as he pays homage to the renowned artist Parmigianino. Created in 1732, this chiaroscuro woodcut titled "St. John the Baptist" is a true masterpiece of graphic design and illustration. Zanetti skillfully printed this artwork from three blocks, using tan, brown, and dark brown shades to create a mesmerizing play of light and shadow. The result is an exquisite portrayal of St. John the Baptist that exudes elegance and old-world charm. The attention to detail in this piece is truly remarkable. Zanetti captures every intricate feature of St. John's face with precision, highlighting his expressive eyes and serene expression. The use of chiaroscuro technique adds depth and dimension to the image, making it come alive before our very eyes. As we gaze upon this artwork, we are transported back in time to an era where art was celebrated for its ability to evoke emotions and tell stories. Zanetti's interpretation of Parmigianino's original work demonstrates his deep understanding of artistic expression and beauty. This print from the Liszt Collection serves as a testament to the enduring power of art throughout history. It allows us to appreciate not only Zanetti's incredible talent but also the rich cultural heritage that these masterpieces represent.

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