Ameer Collection

The Ameer returning from a Duck-shooting Expedition (litho)
1037386 The Ameer returning from a Duck-shooting Expedition (litho) by Small, William (1843-1931) (after); Private Collection; (add.info.: The Ameer returning from a Duck-shooting Expedition)

The Advance on Cabul (engraving)
1099820 The Advance on Cabul (engraving) by English School, (19th century); Private Collection; (add.info.: The Advance on Cabul)

The end of the Afghan War featured on the cover of The Graphic, 12th July 1879 - photographing the Ameer Yakoob Khan (Emir Mohammad Yaqub Khan) at Gandamak where the treaty of peace was signed

Afghan War: signing the treaty of Gundamuk
The Afghan War: the Ameer Yakoob Khan and Major Cavagnari signing the treaty of Gundamuk, 1879

Portrait of Shir Ali Khan (1825-79) Emir of Afghanistan
CHT165182 Portrait of Shir Ali Khan (1825-79) Emir of Afghanistan, 1878 (engraving) (b/w photo) by English School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Amirs of Scinde, ethnic group from Sindh, India
Amirs (commanders) of Scinde, an Indian ethnic group from Sindh (now a province of Pakistan). Date: 1843

Afghanistan, Meeting of General Sir D Stewart and Mr Lepel Griffin with the New Ameer
1060230 Afghanistan, Meeting of General Sir D Stewart and Mr Lepel Griffin with the New Ameer, Abdurrahman Khan, outside Cabul, 11 August (engraving) by English School

The Ameer of Afghanistans Workshops at Kabul, the Interior of the Arsenal (engraving)
1038852 The Ameer of Afghanistans Workshops at Kabul, the Interior of the Arsenal (engraving) by English School

The Ameer of Afghanistan at the Rawul Pindi Durbar (engraving)
1591103 The Ameer of Afghanistan at the Rawul Pindi Durbar (engraving) by English School, (19th century); Private Collection; (add.info.: The Ameer of Afghanistan at the Rawul Pindi Durbar)

Sketches at the Rawul Pindi Durbar (engraving)
1591099 Sketches at the Rawul Pindi Durbar (engraving) by English School, (19th century); Private Collection; (add.info.: Sketches at the Rawul Pindi Durbar)

The Ameer signing the Treaty of Peace at Gandamak, 26 May 1879 (engraving)
1054146 The Ameer signing the Treaty of Peace at Gandamak, 26 May 1879 (engraving) by English School

The Afghan Campaign, practising Revolver Shooting at the "Ameer"(engraving)
1059944 The Afghan Campaign, practising Revolver Shooting at the " Ameer" (engraving) by English School, (19th century); Private Collection; (add.info.: The Afghan Campaign)

The End of the Afghan War, Arrival of Yakoob Khan at the British Encampment
1059040 The End of the Afghan War, Arrival of Yakoob Khan at the British Encampment, Gandamak, 8 May (engraving) by Dollman

Some costly pets (litho)
3652393 Some costly pets (litho) by Wain, Louis (1860-1939) (after); Private Collection; (add.info.: Some costly pets. Illustration for The Harmsworth Magazine, Vol 1, 1898-99.); © Look and Learn

The End of the Afghan War, Photographing the Ameer Yakoob Khan at Gandamak (engraving)
1054028 The End of the Afghan War, Photographing the Ameer Yakoob Khan at Gandamak (engraving) by English School, (19th century); Private Collection; (add.info.: The End of the Afghan War)

The End of the Afghan War, the Ameer signing the Treaty of Peace at Gandamak
1054023 The End of the Afghan War, the Ameer signing the Treaty of Peace at Gandamak, 26 May 1879 (engraving) by English School

Shere Ali Khan, Ameer of Afghanistan, 1878 (litho)
468707 Shere Ali Khan, Ameer of Afghanistan, 1878 (litho) by English School, (19th century); Private Collection; (add.info.: Sher Ali Khan (1825-79), Amir of Afghanistan 1863-66

The Landing of the Ameers Son at Portsmouth on 24 May (engraving)
1628186 The Landing of the Ameers Son at Portsmouth on 24 May (engraving) by Overend

Facsimile of a portrait of Muhammad Ya qub Khan (1849-1923
CHT165185 Facsimile of a portrait of Muhammad Ya qub Khan (1849-1923) Emir of Afghanistan (pen & ink on paper) (b/w photo) by Afghan School; Bibliotheque des Arts Decoratifs, Paris

The Afghan War, the Durbar Khaneh, or Reception Hall of the Ameer, at Cabul (engraving)
1099757 The Afghan War, the Durbar Khaneh, or Reception Hall of the Ameer, at Cabul (engraving) by English School, (19th century); Private Collection; (add.info.: The Afghan War, the Durbar Khaneh)

Elephants pull steam roller & motors for Amir of Afghanistan
The most remarkable caravan that ever entered Afghanistan - a steam roller and motors for the Ameer

Afghanistan The Ameers Body-guard, Engraving 1879

Fixing The Negative, Mr. Burke Posing The Ameer, The Ameer Yakoob Khan At Gandamak, Afghan War, Engraving 1882

Mr. Burke Posing The Ameer, The Ameer Yakoob Khan At Gandamak, Afghan War, Engraving 1882

The Ameer music by Victor Herbert; book by Frederic Rankin & Kirke La Shelle. Date c1900

Mr Burke, war photographer
Preparing a composition for a portrait of the Ameer Yakoob Khan at Gandmak

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Ameer, a name that resonates with power and influence throughout history. From Mr. Burke posing the Ameer to the legendary Ameer Yakoob Khan at Gandamak during the Afghan War, this captivating figure has left an indelible mark on our world. Intriguing engravings transport us back to 1882 when elephants pulled steam rollers and motors for the Amir of Afghanistan, showcasing his grandeur and ambition. The Ameer's diverse interests are revealed as we glimpse him returning from a duck-shooting expedition in a lithograph that captures his adventurous spirit. The Afghan War takes center stage as we witness its dramatic conclusion featured on the cover of The Graphic. The signing of the treaty of Gundamuk signifies not only an end to conflict but also highlights the diplomatic prowess possessed by this formidable leader. Portraits allow us a glimpse into the lives of influential figures such as Shir Ali Khan, Emir of Afghanistan, whose legacy continues to inspire generations. We also learn about Amirs hailing from Scinde, an ethnic group originating from Sindh, India - their stories intertwined with that of Afghanistan's rich tapestry. Historical encounters come alive through vivid engravings depicting meetings between General Sir D Stewart and Mr Lepel Griffin with Abdurrahman Khan, the New Ameer outside Cabul. These interactions shed light on political dynamics shaping nations during pivotal moments in time. Delving deeper into Kabul's inner workings reveals glimpses inside The Ameer of Afghanistan's workshops at Kabul - particularly intriguing is an engraving capturing the interior of their arsenal. This insight showcases not only military might but also technological advancements under his rule. Lastly, sketches unveil scenes from Rawul Pindi Durbar where we witness grand gatherings attended by esteemed guests who seek audience with this influential leader. These illustrations provide a window into opulent occasions where politics intertwine with cultural exchange.