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Mouse Mat : James II Satirised

James II Satirised




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James II Satirised

JAMES II OF SCOTLAND caricatured as an owl, kneeling to the Pope who is depicted as a peacock

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 625046

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10068037

1430 1460 Caricatured Depicted Kneeling Peacock Pope Satirised Scot Land


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This fascinating historical print depicts a satirical portrayal of James II of Scotland, depicted as an owl, kneeling before the Pope who is represented as a majestic peacock. The intricate details and symbolism in this caricature offer a glimpse into the political and religious tensions of the time. James II, who ruled Scotland from 1430 to 1460, is shown in a vulnerable position, bowing down to the powerful figure of the Pope. The choice to depict him as an owl adds another layer of meaning, suggesting wisdom but also perhaps cunning or deceit. The Pope, portrayed as a colorful peacock with its extravagant plumage on full display, exudes authority and grandeur. This juxtaposition between the humble owl and regal peacock highlights the power dynamics at play during this period in history. Through this satirical caricature, we are given insight into how James II was perceived by his contemporaries and how he navigated his relationships with other influential figures such as the Pope. It serves as a reminder that even kings were subject to criticism and mockery in medieval times. This print from Mary Evans Picture Library is not just a piece of art but also a window into the complex world of Scottish royalty and religious politics in the 15th century.

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