Mouse Mat : Italian Penitent 19C
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Italian Penitent 19C
An Italian Black Penitent in dark brown habit and hood, carrying a chain for self- flagellation and pictures of Christ and His crucifixion
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 624400
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10066180
Chain Christ Crucifix Crucifixion Flagellation Habit Hood Jesus Penance Penitent Pictures Whip
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 15.8cm x 23.7cm (6.2" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This evocative 19th century image captures the intense devotion and self-imposed suffering of an Italian Penitent. Dressed in a dark brown habit and hood, she carries a heavy chain for self-flagellation, a common practice among the most devoted penitents during the Catholic Church's Lenten season. The penitent's expression is one of deep contemplation and sorrow, her eyes fixed on the images of Christ and His crucifixion that she clutches in her hands. The use of shadows and muted colors adds to the somber and introspective mood of the photograph. The penitent's posture, with her head bowed and her back hunched, emphasizes her physical and emotional pain. The chain she carries is a reminder of her sins and her commitment to atone for them through penance and flagellation. The image is a poignant representation of the religious fervor that characterized much of Italian society during the 19th century. The practice of flagellation, or self-flagellation, was a controversial and divisive aspect of Catholic devotion, with some seeing it as a necessary expression of penitence and others as a form of self-harm. Regardless of one's perspective, this photograph offers a powerful and moving glimpse into the inner world of a devout Italian penitent. The photograph is a valuable historical artifact, offering insight into the religious practices and beliefs of a bygone era. It serves as a reminder of the complex and often contradictory ways in which faith and devotion have shaped human history and continue to influence our lives today.
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