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Canvas Print : architecture, brutalist style, concrete, Listed Grade II*, Post War
Canvas Prints from Historic England
architecture, brutalist style, concrete, Listed Grade II*, Post War
Stockwell Bus Garage, Binfield Road, Stockwell, London. 1952-3 by Adie, Button and Partners with Thomas Bilbow. Interior, general view of bus garage
Historic England is the public body that champions and protects England's historic places
Media ID 11358677
© Historic England
Architecture Brutalist Style Concrete Listed Grade Ii* Post War
12"x9" (30x23cm) Canvas Print
Introducing the captivating "Architecture, Brutalist Style: Stockwell Bus Garage" canvas print from the Media Storehouse collection, featuring the iconic design by Adie, Button and Partners with Thomas Bilbow. This striking image, captured by James O. Davies for Historic England, showcases the Listed Grade II* Post War bus garage located in Stockwell, London. The raw concrete textures and bold lines of this brutalist masterpiece come alive in vibrant detail on our high-quality canvas, making it a standout addition to any modern or contemporary decor. Bring the history and beauty of this architectural marvel into your home or office with our expertly printed and finished canvas, guaranteed to inspire and captivate.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 30.5cm x 22.9cm (12" x 9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Architecture
> Country
> England
> Europe
> United Kingdom
> England
> London
> Towns
> Stockwell
> Europe
> United Kingdom
> England
> London
> Transport
> Buses
> Historic England
> Architecture
> Modern Architecture
> Post-War Listing
> Historic England
> Architecture
> Modern Architecture
> Space, Hope and Brutalism
EDITORS COMMENTS
1. Title: "Brutal Beauty: An Inside Look at Stockwell Bus Garage, London (1952-1953)" This evocative photograph captures the raw, concrete beauty of the Stockwell Bus Garage in London, designed by Adie, Button and Partners in collaboration with Thomas Bilbow. Listed as a Grade II* building by Historic England, this post-war architectural masterpiece is a testament to the Brutalist movement's enduring influence. The image offers a general view of the garage's interior, revealing the intricate interplay of light and shadow that dances across the rough, textured concrete surfaces. The geometric patterns created by the repetition of columns, beams, and arches form a harmonious composition, showcasing the architects' meticulous attention to detail. The Stockwell Bus Garage was built between 1952 and 1953, a period of significant post-war reconstruction in the United Kingdom. Brutalist architecture, characterized by its raw, unadorned concrete structures, emerged as a symbol of modernity, functionality, and resilience during this time. This style was embraced by architects and planners as a means to rebuild cities and create new, innovative spaces that could withstand the test of time. The Stockwell Bus Garage stands as a proud example of this architectural movement, its brutalist aesthetic now celebrated for its unique character and enduring significance. The building's raw, unapologetic design continues to inspire and challenge, offering a glimpse into the past while remaining a relevant and captivating presence in London's urban landscape. This photograph, taken by James O. Davies for Historic England, invites us to appreciate the beauty and complexity of this listed Grade II* building, a testament to the power of architecture to shape our cities and leave a lasting impact on our collective memory.
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