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Zenkai, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Zenkai, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Zenkai, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka. Zenkai, from the series 'Pictures of No Performances (Nogaku Zue)', 1898. Creator: Kogyo Tsukioka


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Zenkai, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Zenkai, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka

Zenkai, from the series "Pictures of No Performances (Nogaku Zue)", 1898

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Media ID 24171943

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Bennosuke Tsukioka Carriage Hanyu Sadanosuke Kogyo Sakamaki Kogyo Tsukioka Kohan Long Hair Long Haired Meiji Era Meiji Period Nenkyu Prop Rickshaw Sadanosuke Hanyu Sakamaki Kogyo Show Stage Prop Tsukioka Bennosuke Tsukioka Kogyo Color Woodblock Print Playhouse Thespian


EDITORS COMMENTS
The print titled "Zenkai, from the series 'Pictures of No Performances (Nogaku Zue)', 1898" captures a captivating moment in Japanese theater history. Created by Kogyo Tsukioka, this 19th-century woodblock print showcases the artistry and talent of actors during the Meiji era. In this vibrant image, we see Zenkai, played by Hanyu Sadanosuke, a renowned performer of Noh theater. His long hair cascades down his back as he stands confidently on stage, fully immersed in his character. The intricate details and vivid colors bring life to this traditional form of entertainment. The setting is reminiscent of a playhouse with its ornate props and backdrop. A rickshaw parked outside suggests that Zenkai has arrived at the venue for his performance. This snapshot offers us a glimpse into the world behind the scenes - an actor preparing to captivate audiences with his skillful portrayal. Kogyo Tsukioka's masterful technique in creating this color woodblock print highlights not only Zenkai's individuality but also pays homage to Japan's rich artistic heritage. As part of the larger series "Pictures of No Performances" this artwork serves as both documentation and celebration of Noh theater during that time period. Displayed at the Art Institute Chicago, this piece invites viewers to appreciate not only its aesthetic beauty but also its cultural significance within Japanese arts and theatrical traditions.

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