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Wrathful Eight-armed and Three-faced Goddess Tara Marichi... ca. 1090. Creator: Unknown
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Wrathful Eight-armed and Three-faced Goddess Tara Marichi... ca. 1090. Creator: Unknown
Wrathful Eight-armed and Three-faced Goddess Tara Marichi, Leaf from a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript, ca. 1090. Tara Marichi, an emanation from, and sakti of, Vairocana. Pala period
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Media ID 19844377
© Heritage Art/Heritage Images
11th Century Bangladesh Bengal Eleventh Century Limb Mahayana Mahayana Buddhism Many Arms Many Limbed Opaque Watercolor On Palm Leaf Pala Perfection Of Wisdom Prajnaparamita Tara Vairocana Wrath Calligraphy Hindoostan
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This print showcases the awe-inspiring Wrathful Eight-armed and Three-faced Goddess Tara Marichi, a masterpiece from the Pala period in 11th century Bengal, Bangladesh. Created by an unknown artist, this leaf is part of a dispersed Pancavimsatisahasrika Prajnaparamita Manuscript. Tara Marichi, believed to be an emanation and sakti of Vairocana, embodies power and divine femininity. With her multiple arms and three faces representing compassion, wisdom, and wrathfulness, she symbolizes the perfection of wisdom in Mahayana Buddhism. The vibrant colors used in this opaque watercolor on palm leaf painting bring out the intensity of Tara Marichi's presence. The intricate calligraphy surrounding her adds depth to the artwork while also conveying spiritual significance. As we gaze upon this ancient artifact preserved at The Metropolitan Museum of Art (The Met), we are transported back in time to Hindoostan (India) during the flourishing Pala Empire. This piece serves as a testament to the rich heritage art that flourished during that era. While its creator remains anonymous through history's passage, their talent shines through every stroke captured on this palm leaf canvas. Through this photograph print provided by Heritage Images at The Met, we have been granted access to witness a profound moment in Buddhist religious iconography – one that continues to inspire reverence and admiration for centuries after its creation.
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