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View of the Temple of Aesculapius, pub. 1764. Creator: Robert Adam (1728-92)

View of the Temple of Aesculapius, pub. 1764. Creator: Robert Adam (1728-92)


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View of the Temple of Aesculapius, pub. 1764. Creator: Robert Adam (1728-92)

View of the Temple of Aesculapius, from Ruins of the Palace of Emperor Diocletian at Spalatro in Dalmatia, pub. 1764 (engraving)

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Media ID 18269440

© Historica Graphica Collection / Heritage-Images

Belfast Dry Dock Liner Northern Ireland Propellor Rms Titanic Robert Adam 1728 92 Rudder Shipyard White Star Line Historica Graphica Collection Propellors


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> Arts > Artists > A > Robert Adam

> Europe > United Kingdom > Northern Ireland > Belfast

> Europe > United Kingdom > Northern Ireland > Palaces

> Popular Themes > Olympics


EDITORS COMMENTS
This print showcases the remarkable "View of the Temple of Aesculapius" as envisioned by the talented creator, Robert Adam. Published in 1764, this engraving takes us back to ancient times, capturing the ruins of Emperor Diocletian's Palace at Spalatro in Dalmatia. The image transports us to a bygone era, where we witness the grandeur and architectural prowess of Adam's work. The Temple of Aesculapius stands proudly amidst the remnants of history, its intricate details and majestic columns still commanding attention even after centuries have passed. Located in Belfast during the 20th century, this photograph draws an interesting connection to Northern Ireland's shipbuilding heritage. It is impossible not to notice that it shares similarities with another iconic vessel - RMS Titanic. As part of White Star Line's Olympic class liners, this engraving subtly hints at its association with one of history's most tragic maritime disasters. While not intended for commercial use, this historical gem from Heritage Images allows us to appreciate both artistry and craftsmanship. The dry dock setting reminds us that behind every great ship lies a dedicated shipyard bustling with activity - propellers ready for action and rudders poised for steering monumental vessels through vast oceans. In summary, this print captures a harmonious blend between ancient architecture and modern engineering marvels while paying homage to Robert Adam’s creative genius alongside Northern Ireland’s rich shipbuilding legacy.

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