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View of the South Presbyterian Church in Boston, 1755-1779. Creator: Franz Xavier Habermann

View of the South Presbyterian Church in Boston, 1755-1779. Creator: Franz Xavier Habermann


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View of the South Presbyterian Church in Boston, 1755-1779. Creator: Franz Xavier Habermann

View of the South Presbyterian Church in Boston, 1755-1779

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Media ID 36338988

© Heritage Art/Heritage Images

Akademie Kaiserlich Franziskische Armaments Cannon City Life Citylife Daily Life Franz Xaver Habermann Franz Xavier Habermann Habermann Franz Xavier Horse And Cart Imperial Franciscan Academy Kaiserlich Franziskische Akademie Presbyterian Speaking Talking Horse Drawn Horse Drawn Vehicle Horsedrawn Watercolour Paint


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> Animals > Farm > Horses > Paint Horse

> Architecture > Country > America

> Architecture > Country > Netherlands

> Architecture > Religious

> Architecture > Styles > American Colonial Architecture

> Architecture > Styles > Dutch Colonial Architecture

> Arts > Artists > H > Franz Xavier Habermann

> Arts > Contemporary art > Landscapes > Street art

> Arts > Contemporary art > Landscapes > Urban landscapes

> Arts > Still life artwork > Landscape paintings


EDITORS COMMENTS
This etching, created by Franz Xavier Habermann between 1755 and 1779, offers a glimpse into the past with its stunning depiction of the South Presbyterian Church in Boston, Massachusetts, United States of America. The image, part of the imperial Franciscan Academy's collection in Europe, transports us back to the colonial era with its intricate details and vibrant colors. The South Presbyterian Church, a significant landmark in Boston's rich history, is prominently featured in the foreground. The church's grand facade, adorned with tall windows and a distinctive steeple, stands proudly against the backdrop of a bustling city. The daily life of the colonial era is on full display, with horse-drawn vehicles and people going about their business in the streets below. The scene is further enlivened by the presence of armed men, perhaps soldiers or militiamen, standing guard in front of the church. This could be a reflection of the tensions and uncertainties of the time, with the looming threat of conflict with the British looming large. The etching also provides a glimpse into the diverse population of the city, with both men and women of various ethnicities and social classes going about their daily routines. The inclusion of a horse-drawn cart in the foreground adds to the sense of movement and activity. This etching, with its intricate details and rich historical context, is a testament to the artistic prowess of Franz Xavier Habermann and the enduring legacy of the imperial Franciscan Academy. It offers a unique window into the past, allowing us to explore the history, culture, and daily life of colonial America in a way that is both captivating and informative.

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