View of the Quadrant: the Main Door, the Square, the Church and the Loggia of the... [plate D], 161 Creator: Jacopo Ligozzi

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View of the Quadrant: the Main Door, the Square, the Church and the Loggia of the... [plate D], 161 Creator: Jacopo Ligozzi

View of the Quadrant: the Main Door, the Square, the Church and the Loggia of the Monastery of the Monte della Vernia (Prospettiva dell'ingresso della prima porta, con la Piazza, Chiesa, & Loggie del Monastero del Monte della Vernia, come sta quest'Anno MDCXII) [plate D], 1612

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Media ID 36273261

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1600s Door Doors Iacopo Ligozzi Jacopo Ligozzi Ligozzi Iacopo Ligozzi Jacopo Loggia Monastery Page Position Quadrant Sepia Square View Of 1612 La Verna

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> Architecture > Churches

> Architecture > Doors

> Architecture > Religious

> Arts > Artists > L > Jacopo Ligozzi

> Religious Art > Religious Architecture

EDITORS COMMENTS
View of the Quadrant: the Main Door, the Square, the Church, and the Loggia of the Monastery of the Monte della Vernia," a captivating engraving by Jacopo Ligozzi from the year 1612, offers a striking depiction of the architectural grandeur of the Monte della Vernia Monastery in Alverna, Italy. This black and white print, labeled as plate D, captures the main entrance, the square, the church, and the loggia of the monastery in exquisite detail. The image opens with the massive main door, its intricate carvings and ornate handles inviting the viewer into the monastery. Beyond the door lies the bustling square, filled with figures engaged in various activities. The church, with its tall spire and ornate facade, dominates the scene, while the loggia, with its arched columns and intricate designs, adds an air of elegance and sophistication. The engraving, created during the seventeenth century, is a testament to the rich artistic and cultural heritage of Italy. The use of sepia tones adds a timeless quality to the image, transporting the viewer back to the era of its creation. The depiction of the monastery and its surroundings is a masterclass in architectural detail, with every brick, column, and figure rendered with meticulous precision. This engraving is an essential addition to any art collection, particularly for those with an interest in Italian architecture, religious sites, or the works of Jacopo Ligozzi. It is a reminder of the beauty and grandeur of the past, a window into a bygone era, and a testament to the enduring power of art to transport and inspire. The National Gallery of Art in Washington, D.C., is privileged to house this magnificent work, making it accessible to art lovers and enthusiasts from around the world. Whether viewed in person or in reproduction, this engraving is sure to leave a lasting impression on all who behold it.

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