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Title page: Views of the Public Buildings in the City of New York (Rotunda, Corner of Ch

Title page: Views of the Public Buildings in the City of New York (Rotunda, Corner of Ch


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Title page: Views of the Public Buildings in the City of New York (Rotunda, Corner of Ch

Title page: Views of the Public Buildings in the City of New York (Rotunda, Corner of Chambers and Cross Streets), 1827

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Media ID 20636813

© Heritage Art/Heritage Images

Alexander Jackson Davis Anthony Davis Davis Alexander Jackson John Vanderlyn Neo Classical Neo Classicism Neoclassical New York City New York State Rotunda Title Page Vanderlyn Vanderlyn John Graphic Design Neoclassicism


FEATURES IN THESE COLLECTIONS

> Architecture > Country > America

> Architecture > Styles > Classical Architecture

> Architecture > Styles > Neoclassical Architecture

> Arts > Art Movements > Neoclassicism

> Arts > Artists > V > John Vanderlyn

> Arts > Literature > Books

> Arts > Literature

> Arts > Portraits > Pop art gallery > Street art portraits

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This black and white lithograph captures the title page of "Views of the Public Buildings in the City of New York (Rotunda, Corner of Chambers and Cross Streets), 1827". Created by Anthony Imbert in the 19th century, this print showcases a remarkable collaboration between two prominent artists: Alexander Jackson Davis and John Vanderlyn. The neoclassical design of the City Hall Rotunda takes center stage, its grandeur emanating from every intricate detail. The architectural masterpiece stands proudly against a backdrop of bustling New York City streets. Imbert's skillful rendering brings out the stark contrast between light and shadow, adding depth to this graphic representation. Davis' expertise in neo-classicism is evident through his meticulous attention to symmetry and proportion. The rotunda's elegant columns, arches, and ornate decorations reflect an era when classical influences dominated American architecture. Vanderlyn's contribution lies within his masterful lettering that adorns the title page with grace and sophistication. As we gaze upon this historical artwork at The Metropolitan Museum of Art, we are transported back to a time when New York was rapidly transforming into a modern metropolis. This lithograph serves as both an artistic homage to these iconic public buildings and a testament to America's growing cultural heritage.

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