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Tiran. Arthur, Theodore. 29 ans, ne a Briec (Finistere). Serrurier

Tiran. Arthur, Theodore. 29 ans, ne a Briec (Finistere). Serrurier


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Tiran. Arthur, Theodore. 29 ans, ne a Briec (Finistere). Serrurier

Tiran. Arthur, Theodore. 29 ans, ne a Briec (Finistere). Serrurier. Anarchiste. 26/2/94. 1894

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Media ID 20138466

© Heritage Art/Heritage Images

Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Locksmith Mug Shot Mugshot Mustache Physical Anthropology Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Finistere

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This photograph, titled "Tiran. Arthur, Theodore" captures the essence of a man named Arthur Theodore Tiran at the age of 29. Born in Briec (Finistere), France, he worked as a locksmith and identified himself as an anarchist. The image was taken on February 26th, 1894 by Alphonse Bertillon using the albumen print technique. Bertillon's expertise in anthropometry is evident in this arresting mugshot-style portrait. The meticulous attention to detail showcases his scientific approach to criminal identification during that era. Tiran's facial hair, particularly his well-groomed mustache, adds character to his stern expression. The photograph serves not only as a record of Tiran's physical appearance but also provides insight into the political climate of late 19th-century France. Anarchism was gaining momentum as a radical movement challenging established norms and advocating for individual freedom. Displayed at the Metropolitan Museum of Art, this heritage artwork offers viewers a glimpse into both history and artistry. It reminds us of how photography can be used not only for personal documentation but also for scientific purposes such as criminal identification. As we observe this intriguing portrait frozen in time, we are reminded that behind every face lies a story waiting to be discovered – stories that shape our understanding of culture, politics, and human nature itself.

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