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[The Taj Mahal from the Gateway], January-March 1864. Creator: John Murray

[The Taj Mahal from the Gateway], January-March 1864. Creator: John Murray


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[The Taj Mahal from the Gateway], January-March 1864. Creator: John Murray

[The Taj Mahal from the Gateway], January-March 1864

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Media ID 20168593

© Heritage Art/Heritage Images

Agra Agra India Dome Domed Emperor Shah Jahan Jahan Jahan Shah John Murray Khurram Mausoleum Moghul Mogul Mughal Murray Murray John Onion Dome Panorama Shah Shah Jahan Shahjehan Taj Mahal Triptych Uttar Pradesh Albumen Print Albumen Silver Print Hindoostan


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> Animals > Insects > Spiders > Silver Garden

> Architecture > Country > India

> Architecture > Religious

> Architecture > Styles > Indian Architecture

> Architecture > Styles > Islamic Architecture

> Arts > Artists > W > John White

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings

> Asia > India > Agra

> Asia > India > India Heritage Sites > Taj Mahal


[The Taj Mahal from the Gateway], January-March 1864 - A Captivating Glimpse into Mughal Majesty

EDITORS COMMENTS
. This black and white albumen print, captured by British photographer John Murray in the late 19th century, transports us to the enchanting city of Agra, India. The focal point of this image is none other than the iconic Taj Mahal, one of the world's most celebrated architectural wonders. From a vantage point at the gateway, Murray skillfully frames this magnificent mausoleum within his lens. The grandeur of its domed structure with its distinctive onion-shaped dome is awe-inspiring against a backdrop of meticulously manicured gardens. This triptych composition allows us to appreciate not only the beauty of this UNESCO World Heritage Site but also its harmonious integration with nature. Built by Emperor Shah Jahan as a testament to his eternal love for his beloved wife Mumtaz Mahal, every detail exudes devotion and craftsmanship. The serene atmosphere surrounding this sacred tomb evokes a sense of peace and reverence. Murray's expert use of albumen silver prints from waxed paper negatives captures intricate details while maintaining an ethereal quality that adds depth to every element within this photograph. As we gaze upon it today in the Metropolitan Museum of Art's collection, we are reminded that even after centuries have passed since its creation, the Taj Mahal remains an enduring symbol not only for India but for humanity's capacity to create lasting legacies

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