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The Residency, Maseru, Basutoland, Abode of the Chief Magistrate, Commandant Griffiths, c1880

The Residency, Maseru, Basutoland, Abode of the Chief Magistrate, Commandant Griffiths, c1880


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The Residency, Maseru, Basutoland, Abode of the Chief Magistrate, Commandant Griffiths, c1880

The Residency, Maseru, Basutoland, Abode of the Chief Magistrate, Commandant Griffiths, c1880. Colonel Charles Duncan Griffith CMG (5 September 1830 - 17 October 1906) was a British colonial administrator and army officer. Episode of the Xhosa Wars (also known as the Cape Frontier Wars, Kaffir Wars), from 1779 to 1879 in South Africa. From British Battles on Land and Sea, Vol. IV, by James Grant. [Cassell Petter & Galpin, London, Paris & Melbourne, c1880]

Heritage Images features heritage image collections

Media ID 14991727

© The Print Collector

British Battles On Land And Sea Cape Frontier Wars Cassell Petter Galpin Colony Farmhouse Grant Griffith Hillside James Grant Kaffir Wars Magistrate Petter Galpin Residence Residency South Africa Xhosa Wars Basutoland Cassell Lesotho Maseru


FEATURES IN THESE COLLECTIONS

> Africa > Lesotho > Maseru

> Africa > South Africa > Related Images

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings

> Arts > Literature > Books

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This print takes us back to the late 19th century in Basutoland, now known as Lesotho. The image showcases "The Residency" a grand hillside building that served as the Abode of the Chief Magistrate, Commandant Griffiths. Colonel Charles Duncan Griffith was not only a British colonial administrator but also an esteemed army officer. Surrounded by breathtaking mountains and lush landscapes, this residence stands as a symbol of British presence in this far-flung corner of South Africa during the Xhosa Wars. It is a testament to both military might and administrative power. The monochrome aesthetic adds depth and character to the scene, emphasizing the historical significance of this moment captured in time. In its simplicity lies an intricate story waiting to be unraveled. As we gaze upon this print, we are transported into an era where agriculture thrived alongside conflict; where literature met law; where concepts clashed against geographical features. It serves as a reminder of Britain's colonial ambitions and their impact on distant lands. Preserved through engravings like those found in James Grant's book "British Battles on Land and Sea" these images allow us to delve into history with every detail meticulously etched onto paper. Let us cherish this glimpse into Basutoland's past, appreciating its cultural heritage while acknowledging the complexities brought about by colonialism.

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