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The North-East End of Jerusalem and Mizpah from the Mount of Olives, 1902. Creator
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The North-East End of Jerusalem and Mizpah from the Mount of Olives, 1902. Creator
The North-East End of Jerusalem and Mizpah from the Mount of Olives, 1902. Mizpah was a city of the tribe of Benjamin referred to in the Hebrew Bible. From " The Holy Land", painted by John Fulleylove, R.I. [Adam & Charles Black, London, 1902]
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Media ID 18909514
© The Print Collector/Heritage Images
A And C Black Adam And Charles Adam And Charles Black Arial View Benjamin City Walls Cypress Darkness Direction Elevated View Fulleylove Hillside Holy Land Israel Jerusalem John Fulleylove Mount Of Olives Mount Olivet North Northern Ridge Shadow Shadows Step Steps Sunlight Sunlit Town Wall Valley Walled Walled City Walls Zion Biblical Mizpah Old Testament
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The North-East End of Jerusalem and Mizpah from the Mount of Olives, 1902
EDITORS COMMENTS
is a captivating print that takes us back in time to the early 20th century. The image showcases an elevated view of Jerusalem, with its ancient city walls standing tall against the backdrop of a sunlit landscape. Painted by John Fulleylove, this artwork captures the essence of biblical history and religious significance. Mizpah, a city mentioned in the Hebrew Bible, can be seen nestled within the hills on the horizon. The presence of people going about their day adds life to this historical scene. The composition beautifully combines elements of nature and civilization. Lush cypress trees dotting the hillside contrast with the stone structures below. A winding road leads our gaze towards a town wall that encloses Jerusalem's northern edge. As sunlight bathes everything in its warm glow, shadows cast by buildings and trees create depth and dimensionality. This interplay between light and shadow adds an ethereal quality to the image. "The North-East End of Jerusalem and Mizpah from the Mount of Olives, 1902" not only serves as a visual representation but also as a reminder of Israel's rich heritage and cultural significance. It invites viewers to explore both geographical features and religious narratives intertwined within this ancient cityscape.
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