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The Three Maries at the Tomb, 18th century (1910). Artist: William Hogarth

The Three Maries at the Tomb, 18th century (1910). Artist: William Hogarth


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The Three Maries at the Tomb, 18th century (1910). Artist: William Hogarth

The Three Maries at the Tomb, 1910. One of the panels in the tryptiych painted as an alter piece for the church of St Mary, Redcliffe, Bristol. From The Connoisseur magazine (June 1910)

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Media ID 14938167

© The Print Collector / Heritage-Images

Arm Raised Bristol Church Of St Mary Colour Print Hands Together Hogarth Holy Magdalene Mary Magdalene Mausoleum Prayer Praying Saint Mary Saint Mary Magdalene St Mary St Mary Magdalene Stella Maris The Connoisseur The Virgin Mary Triptych Virgin Mother W Hogarth William Hogarth Hand Gesture Mother Of God Redcliffe


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The Three Maries at the Tomb

EDITORS COMMENTS
is a captivating 18th-century print by William Hogarth, depicting a poignant scene from biblical history. This color print, dating back to 1910, showcases one of the panels from a triptych altar piece created for the Church of St Mary in Redcliffe, Bristol. In this emotionally charged image, we see three women - the Virgin Mary, Mary Magdalene, and another female figure - standing before an ornate tomb. Their gestures convey deep sorrow and reverence as they mourn the death of Jesus Christ. The woman on the left raises her arm in anguish while clasping her hands together in prayer. The Virgin Mary stands at the center with a solemn expression on her face, embodying both strength and grief. On their right side stands Mary Magdalene with an air of devotion. Hogarth's mastery lies in his ability to capture human emotions through intricate details and vibrant colors. The print evokes a sense of spirituality and invites viewers to reflect upon themes of faith and mortality. This remarkable artwork was featured in The Connoisseur magazine in June 1910, showcasing its significance within art circles during that time period. "The Three Maries at the Tomb" serves as a testament to Hogarth's talent as well as his contribution to religious imagery.

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