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Tah-zee-keh-da-cha, Torn Belly, a Distinguished Brave, 1832

Tah-zee-keh-da-cha, Torn Belly, a Distinguished Brave, 1832


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Tah-zee-keh-da-cha, Torn Belly, a Distinguished Brave, 1832

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Media ID 21233271

© Heritage Art/Heritage Images

American Indian Braid Braided Catlin George Dakota Embroidered Embroidery Face Paint George Catlin George Wilkes Barre Indigenous Local Long Hair Long Haired Native American Plait Plaited Sioux Smithsonian American Art Museum Tunic Warrior


EDITORS COMMENTS
In this portrait by George Catlin, we are introduced to Tah-zee-keh-da-cha, also known as Torn Belly, a Distinguished Brave from the Dakota tribe. Painted in 1832 during the 19th century in America, this oil on canvas print showcases the rich heritage and cultural significance of Native Americans. Tah-zee-keh-da-cha's striking features immediately draw our attention. His long hair is intricately braided and adorned with vibrant red plaited embroidery. The intricate face paint further accentuates his warrior status and reflects his connection to nature and spirituality. Dressed in a traditional tunic, Tah-zee-keh-da-cha exudes strength and pride. Every detail of his clothing has been meticulously captured by Catlin - from the embroidered patterns to the carefully chosen colors that symbolize his tribal identity. This portrait not only serves as a visual representation of an individual but also provides us with insight into the broader context of American Indian culture during this time period. It reminds us of their resilience amidst conflict and war while highlighting their unique contributions to American history. As we gaze upon this remarkable painting displayed at the Smithsonian American Art Museum, we can't help but feel a sense of awe for Tah-zee-keh-da-cha's bravery and honor. Through Catlin's brushstrokes, he immortalizes one man's story within a larger narrative of indigenous peoples' struggles and triumphs in shaping the United States' diverse heritage.

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