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Sultane Blanche, plate 25 from Caravanne du Sultan à la Mecque, 1748. Creator: Joseph-Marie Vien the Elder

Sultane Blanche, plate 25 from Caravanne du Sultan à la Mecque, 1748. Creator: Joseph-Marie Vien the Elder


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Sultane Blanche, plate 25 from Caravanne du Sultan à la Mecque, 1748. Creator: Joseph-Marie Vien the Elder

Sultane Blanche, plate 25 from Caravanne du Sultan a la Mecque, 1748

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Media ID 36196534

© Heritage Art/Heritage Images

Caravanne Du Sultan A La Mecque Etching On Ivory Laid Paper Hajj Joseph Marie Le Vien Joseph Marie Vien Joseph Marie Vien The Elder Leaning Leaning On Elbow Mecca Pilgrimage Plume Plumed Sultan Vien Joseph Marie Vien Joseph Marie Comte Vien Joseph Marie I Vien Joseph Marie The Elder


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> Arts > Art Movements > Baroque

> Arts > Artists > V > Joseph-Marie Vien

> Arts > Realistic drawings > Portrait drawings > Fine art

> Europe > France > Le Mans

> Europe > France > Royalty

> Historic > Historical fashion trends > Baroque fashion trends


EDITORS COMMENTS
Sultane Blanche" or "The White Sultan," plate 25 from Caravanne du Sultan à la Mecque (The Caravan of the Sultan to Mecca) by Joseph-Marie Vien the Elder (1716-1809) is an exquisite etching on ivory laid paper, showcasing a Caucasian man dressed in the traditional attire of a Sultan during the Hajj pilgrimage. The image, created in the late 18th century, is a captivating representation of the Baroque era's grandeur and the rich cultural heritage of the Islamic world. The man, leaning on his elbow, is depicted in a full-length portrait, looking away from the viewer. He wears an ornate, plumed hat, a voluminous robe with intricate patterns, and a long, flowing coat. The Sultan's attire is adorned with plumes, adding a regal touch to his appearance. The man's clothing is reminiscent of the traditional dress worn during the Hajj pilgrimage, signifying his religious devotion and high status. The etching, part of a series called Caravanne du Sultan à la Mecque, was produced during the Baroque era, a time when European artists were fascinated by the exoticism of the Middle East and its rich cultural traditions. The series, which includes several plates, depicts various scenes from the Sultan's journey to Mecca, providing a glimpse into the world of royalty and religious pilgrimage during this period. The Art Institute of Chicago is fortunate to have this remarkable work in its collection, allowing viewers to appreciate the intricacies of Vien's etching technique and the historical significance of the subject matter. The image is a testament to the artist's skill in capturing the essence of a bygone era, making it a valuable addition to any art center or gallery dedicated to European art and cultural heritage.

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